The Comparative Study Of Musical Style Between The Jiang's Erhu Art And The Cheng's Opera Singing

Mr.Jiang Fengzhi is an outstanding player and educator in the history of erhu playing in the 20 th century.His achievements in erhu playing and educating makes him one of the most important figures in the history of erhu art,after Mr.Liu Tianhua.At the same time,Mr.Jiang,with his elegant,delicate performance style,rhythmical performance technique creation and his inclusive and rigorous educational thoughts,has formed an influential "Jiang school" erhu art in many years of performance and practice.However,in the world of erhu playing,there is a similarity between the“Jiang school”of erhu playing and the “Cheng school”of Peking Opera.Based on this,this article explores the impact of "musical aesthetics on music style" by tracing and summarizing the two schools,taking comparative research as the starting point,and using interviews as the basis.This article is divided into three chapters.The first chapter discusses Jiang Fengzhi and his erhu playing skills and styles from the musicians to the music style,focusing on the formation of the school and the characteristics of the music style.From the musicians to the musical styles,the second chapter mainly discusses the Mr.Cheng Jianqiu and his characteristics of arts,which based on his representative works and the characteristics of his performance style.From the implication to emotional charm,the third chapter compares the art styles between the“Jiang school”and the “Cheng school” from the perspectives of“Yiyun” and “Qingyun” to explore the similarities between this two arts.Mr.Jiang Fengzhi's playing style derives from a profound understanding of traditional Chinese folk music,a unique grasp of the times and the ethos of the national culture and aesthetic taste.While,the “Cheng school”of Peking Opera displays a unique artistic charm from its accent,emotion and artistic conception,which reveals the arts of contemporary and national cultures of mind and the aesthetic taste.It comes up lots of similarities between the two,through the analysis of the existing literature,music,and interviews.By summarizing and combing the artistic thoughts,practice and teaching,it is of definite value for the diversity of erhu art performance and practice in the future.