A Study Of Wang Yiting's Buddhist Painting Art Of Shanghai School

Wang Yiting,an important painter in the painting school of the late Qing Dynasty and the early Republic of China,was praised as "double wall on the sea" with Wu Changshuo.Wang Yi Ting converted to Buddhism in his later years,and turned his creative theme to Buddhist painting.This kind of painting became the representative of his mature artistic creation.Wang Yiting's Buddhist paintings can be roughly divided into four categories,including seven series of longevity Buddha,Avalokiteshvara,Damour,Rohan,fairies.His Buddhist paintings show the features of good composition,delicate and flexible lines,simple and simple colors,and solemn and solemn shapes.In the aesthetic level,there are secular charm,combination of Chinese and western,and the beauty of Buddhism and Zen.The Buddhist painting of Wang Yi Ting has a unique and mature personal style,and the origin of his Buddhist painting style is traced to the source.The formation of his Buddhist painting style has roughly experienced the evolution process of the basic period of the young family education,the absorption and reference period of middle age and friends,and the formation period of the style of the later years.The artistic creation of Wang Yi Ting in his later years turned to the subject of Buddhist characters,which was closely related to the influence of his young family,the change of the times,the multiplicity of his identity,and the friendship with friends.In the field of painting at that time,Wang Yiting's Buddhist painting art is unique,not only his Buddhist paintings have a certain impetus to the development of the school of sea painting,but his Buddhist painting thought has a positive influence on Feng Zikai,Shen Zicheng,Wu Fuzhi and other later painters.In a word,Wang Yi Ting's Buddhist painting,with its distinctive personal style,added glory to the painting and painting of the Shanghai school,and opened a new style of sea style.