Study On The Creation Techniques And Performance Of Rawel’s Gaspard De La Nuit

Gaspard de la nuit is the pinnacle of Ravel’s Impressionist music style.It is also the classic classic in the history of modern piano literature.The music not only inherited the traditional musical form,but also explored the new musical language of the 20th century.Ravel draws images from the poetry of the same name of the French poet Abe Bertrand and achieves a high degree of cooperation between "music" and "poetry".He innovated under the influence of Balakirev and Liszt’s "Fantasy Style".The difficulty of techniques has promoted the diversified development of piano music and performance art in the 20th century.This article will focus on the analysis and research from the three aspects of the writing characteristics,writing techniques,and performance techniques of Gaspard de la nuit.The first part mainly introduces Ravel’s music creation and the related background information of Gaspard de la nuit.It combs the composer’s creative features and the humanities and art environment in which he works,laying the foundation for the follow-up study of the works.In addition,this part also included a discussion of Ravel’s musical aesthetics and the style of Gaspard de la nuit to provide clues and basis for music performers to fully understand the artistic connotation of the works and better interpret the deductive works.In the second part,this article begins with the various aspects of music language and its relationships with content and form.It combines the artistic conception and image of the original poetry,and analyzes the sound,form and three poems of the work in depth by adopting comparative analysis,inductive analysis and other methods.The "flow","quiet","changing" morphological characteristics.The combination of the musical styles of the Gaspard de la nuit and the pursuit of the imagery and color of Impressionism all put higher d’emands on the playing techniques of the piano players.The difficult and complicated technical passages and the rich and varied emotional expressions of the group music.It has also become a practical obstacle to the complete performance of works.Therefore,in the third part,the author will combine the practical experience of his own performance as well as the practical experience of overcoming technical difficulties in the practice process to summarize and summarize the specific performance techniques in Gaspard de la nuit,and further explore the Impressionist Piano Music in Ravel.The artistic expression in the actual performance process.With a view to understanding the composer’s creative thinking and understanding the artistic connotation of the works,readers can more accurately grasp the essentials of performance training,and at the same time provide readers with reference to Ravel’s other piano works.