Bangzi In Banhu Art From The North To The South,to Study The Rheological Situation In Sichuan Opera Banhu As An Example

As one of the four major vocal chambers of traditional Chinese opera,Xunzi occupies an important position in the opera stage in China.However,Banhu,as the leading musical instrument of the Zhaizi opera,has played a crucial and leading role.As a musical instrument with a history of more than 300 years,Banhu is a shining pearl in the music culture of the Chinese nation.The Banhu art's attachment to the chanting of the scorpions spread from north to south,and they played an indispensable role in the new dramas produced by local operas and other folk music elements.This article focuses on the phenomenon and state of the organic combination of the Banhu art's rheology into Chuanxiong's Sichuan opera play.Taking the Banhu art in Dianzi's cavity as the source,he explores the Banhu art in the Sichuan Opera,and studies the form,tone,and performance methods of Sichuan's Banhu “cover”,and the case of Sichuan opera musical elements in Banhu art performance.In this research,we analyzed the part of "playing a cover" as accompaniment and the set of solo works of Banhu as performances in terms of performance style,performance techniques,and aesthetic significance.