Zhou Meisen's Anti-Corruption Novel Of Narrative Discourse Paradigm

As one of the representative writers of the contemporary officialdom novels,Zhou Meisen tried to make a pathological analysis with degree of relaxation for social psychology,social ethics and political ecology,and speaked highly of the theme of the society and voice for the people,forming a unique style of creation.At present,with Zhou Meisen's anti-corruption novels attracting more and more attention from both civil and academic circles,an analysis of its narrative discourse paradigm is more necessary.On the basis of paying more attention to Zhou Meisen's creation,this paper analyzes the characteristics of the anti-corruption novels and the overall narrative discourse paradigm.The introduction mainly summarizes the existing research literature on Zhou Meisen's anti-corruption novels,which gives a brief description of the concepts of"Anti-corruption Novels" and "narrative discourse paradigm"at the same time.The text is divided into three chapters:the first chapter mainly deals with the cognitive paradigm of Zhou Meisen's anti-corruption novels.Zhou Meisen's writing label has always been deep into life and attention to the times.The writer's lofty sense of realistic responsibility and social mission consciousness is shown from the writing stage of the writer's attention to the historical subject to writer's writing on power corruption and anti-corruption phenomena in the focus of realistic social contradictions.On the one hand,rich social experience and the experience of "hanging up" has made Zhou Meisen's firm belief in "the right way of the world".In the concern of social negative phenomena,he has always shown positive writing and the publicity of the ambition to pioneering spirit in the era of change.On the other hand,while keenly facing up to corruption,bribery,act of ommission,negative performance projects and other abuse of power in the name of "the people",the writer's warning of"absolute power" and the call for the spirit of rule of law are more evident in his anti-corruption novel.Among them,there are also some regrets about the mentality and fate of certain intellectuals in officialdom.Zhou Meisen usually chooses a narrative framework with multiple administrative levels entangled,complemented by telling the way of unfolding with specific "case" as a fuse,which has the charm and readability of the plot whose beginning is the climax.Combined with suspense,detective story telling,layout,and the dualism opposite ways of character setting,and the organic unity of the omniscient and internal perspectives,the story is spread out.At the same time,the complicated legal case telling of Zhou Meisen's novels can not only directly and clearly show the characteristics of economic development in different periods.And,in the narration of the process of breaking the case,the novel also completes the difference and multi-dimensional characterization of the ruling group.From the deep point of view,Zhou Meisen's anti-corruption novel also embodies a certain narrative aesthetic demeanor of great opening and closing,which is mainly reflected in its emotional expression of sadness and joy,the hybridity of lofty and mediocre human nature,the shocking and sorrowful writing of death and so on.The third chapter is an analysis of the stylistic paradigm of Zhou Meisen's anti-corruption novels.In a manner of speaking,Zhou Meisen's creation of anti-corruption novels is an elitist creation experiment that draws on the expression of popular literature,which shows the true state of officialdom in popular language,forming Zhou Meisen's unique stylistic paradigm.One of its characteristics first shows the fusion of secular life discourse and officialdom discourse,which is also the characteristic of the dialect slang originates from the daily life of the people,and is unified with the solemnity and standardization of official discourse.In different situations,the flexibility of officialdom discourse also strengthens the popularity of this bureaucratic discourse.Two of the stylistic features of Zhou Meisen's anti-corruption novels is its individualized depiction of language art.In the discourse of the officialdom,the author combines rhetorical elements such as irony,metaphor,quotation and imitation,and combines some original couplets,proverbs and poetry adaptations,so as to achieve the effect of appealing to all and elegance in vulgarity.Another feature of Zhou Meisen's anti-corruption novel's stylistic paradigm is to use the character language to push the story,which is characterized by the unity of character dialogue,monologue and plot,or plot foreshadowing in dialogue.Finally,the concluding part of the thesis is mainly that the achievements and limitations of Zhou Meisen's anti corruption novels with dialectical thinking are further clarified.