Study On The Environment Creation Of Flower And Bird Paintings In The Yuan Dynasty

This paper,centered on the problem of environment creation,with ontology research of paintings as the main body and assisted in the discussion of concept and theory,comprehensively explores the flower and bird paintings of the Yuan Dynasty by the method of combining iconography and literature interpretation.The paper title selects the word of “environment creation” because of the verb “creating”.Different from artistic conception,picturesque scene and other words,environment creation has meanings of creation and management,as well as connotation of artistic conception,which mean to put emphasis on ontology,namely,the vision of the pen and ink language,to make relevant research on the environment creation of flower and bird paintings in Yuan Dynasty.In the first chapter of this paper,the conception of environment creation and the formation of artistic conception is discussed at first;then the relationship between the creation of literary techniques and the landscape of Chinese painting is differentiated and analyzed;at last,the status of bird and flower painting in Yuan Dynasty is briefly described and the difference between Song and Yuan dynasties is discussed.The second chapter is real scene and environment creation,which discusses the flower and bird paintings of the Yuan Dynasty from the relation between image and painting,exploring the elements of the process from the scene to the painting.The third chapter is the core of the paper,namely pen and ink as well as environment creation,in which,the concept of pen and ink as well as the development of concept is briefly described in the first section;the pen and ink as well as environment creation of bird and flower painting of Zhao Mengfu and Chen Lin is discussed and the generation and details of pen and ink is investigated in the second section;the third section is ink flower and ink birds,discussing the characteristics,connotation and spiritual essence of environment creation of flower-and-bird painting in Yuan Dynasty through the study of the pen and ink of specific works;the influence of pen and ink revolution in Yuan Dynasty on flower and bird painting is discussed in the fourth section.The fourth chapter explores the philosophical thought and aesthetic idea of supporting and influencing flower and bird painting in Yuan dynasty.Around the creation of the environment in this paper,representative works are selected in each chapter to deeply analyze,compare and interpret image and try to explore the spiritual essence behind the environment creation of flower and bird paintings in the Yuan Dynasty.