The Aesthetic Characteristics Of The Body Language Of Chinese Classical Dance

The discipline construction of Chinese classical dance is based on opera dances and martial art,and combined with the standardization of the western ballet training system,finally return to the "ben yuan" of Chinese classical dance body.At the same time,it combines the rhythm of figure in the opera dances to make it conform to the nationality and traditional characteristics of the Chinese classical dance aesthetic manner.From the perspective of the dance body linguistics and the body language of Chinese classical dance,this paper analyzes the performance of body language and discusses the aesthetic features of Chinese classical dance.This paper uses the vertical research method,through the formation of the discipline system of Chinese classical dance and the evolution of Chinese classical dance works,the thesis discusses the "morphological characteristics" and "cultural embodiment" of Chinese classical dance,and summarizes the aesthetic features of Chinese classical dance body language.This paper is mainly divided into three parts:The first part takes the discipline of Chinese classical dance as the main research line.It analyzes and researches the selection of opera elements in the disciplinary form,the limited use of ballet training methods,and the cultural awareness of “nationalization” in the form of discipline,finally reveals the constituent elements of Chinese classical dance discipline form.The second part revolves around the aesthetic composition of Chinese classical dance works.By analyzing the three different periods of the dance drama "Small Swords Society","Silk Road,Flower Rain " and "Fen MO",the paper reveals the three development periods of Chinese classical dance works form: the inheritance of opera,the emergence of "neoclassicism" and return to "ontology".The third part summarizes and analyzes the three aspects of the body language of Chinese classical dance: appearance,trend,and line.And it explores the aesthetic features of Chinese classical dance body language and its internal relations.