A Study On The Rural Narration Of Wang Yongying's Children's Novels

Wang Yongying is a famous writer of children's literature in Guangxi.In 2011,she began her creative transformation and began to devote herself to creating children's novels with local flavor.She always brings a childlike innocence and continuously brings surprises and has achieved remarkable results.Her works have enabled more people to understand the land of Guangxi.What's more,it is this mysterious and unique area that make Wang Yongying's children's novels to move toward a wider world.Therefore,the study of Wang Yongying's works,rural narration is a topic that cannot be undone.From the selection of creative backgrounds,the setting of characters and even the description of specific natural scenery,her native narrative has a strong southern flavor.This article tries to take root in the inner mechanism of Wang Yongying's children's novels under the background of the traditional narrative tradition of children's novels.Through the typical text content,this paper specifically analyzes the presentation of rural narratives in three aspects: culture,aesthetics and society.A unique local narrative strategy,and focused on the reasons and manifestations of Wang Yongying's spiritual difficulties in constructing a unique native world,in order to explore the ways and effectiveness of the writer's search for solutions.The introduction part mainly sorts out the research status and clarifies the reasons for choosing the topic.Then it defines the stylistic type of "Children's Novels",focusing on the traditional literary expression of "local narrative",and proposes the use of the concept of rural narrative in this paper,and then briefly explains the research method and significance of this paper.The body is divided into four parts:The first chapter focuses on the inherent implication of rural narratives.A kind of narrative must have its inherent motive force.Pursuing the source of Wang Yongying's native narrative is conducive to exploring the driving force of her native narrative.On the one hand,it discusses the operating characteristics of rural narratives,including the bearing and running trajectories of rural narratives.Both of them have the characteristics of southern countries.On the other hand,it discusses the childhood dream of rural narrative,including the concealment of “other places” and the reconstruction of “life”,and analyzes the internal influence of childhood on the writer's internal influence.The second chapter focuses on the aesthetic dimension of rural narrative.Wang Yongying's native narrative exudes unique poetic beauty,which is an important part of her independent kingdom.On the one hand,it begins with the discussion of the dialogue space,specifically including the emphasis on the children's aesthetic psychology and the "intergenerational" imagination,to see how Wang Yongying achieves aesthetic results.On the other hand,it discusses the poetry of language arts,specifically from the tranquil meaning and the profound rural flavor and rich children's color,in order to clarify that the language and the local flavor together constitute a poetic picture.The third chapter focuses on the realistic picture of rural narrative.Children's novels are indispensable to the observation of social reality.Wang Yongying's native narrative is a good realization of a broader concern for the children's world.On the one hand,from the narrative time and space to start the discussion,specifically including the ambiguity of the characteristics of the era and guardian and "final" back.On the other hand,from the perspective of the narrative to start the discussion,the dissertation begins with the explanation of the utterances of the “aphasia” group and the growth and breakthrough of the children.In the end,it began with the writing of local misery,including the backward reading environment and the lack of family warmth.The fourth chapter mainly discusses the potential crisis of rural narratives.After combing the creative evolution of Wang Yongying's children's novels,she discovers the inherent contradictions of her narrative and then considers the way out of the narrative of children's novels.On the one hand,the inability to expand the discussion from the edge.Specifically,it includes two aspects: the engulfment of traditional native land and the survival of pastoral culture.On the other hand,we think from the innocence of "nostalgic hometown".Specifically,it includes the two parts of the road of return and return to express the anxiety about rural narrative.The conclusion part summarizes the practical significance of Wang Yongying's hometown narrative,confirms its exploration spirit in the local narrative,and briefly mentions the shortcomings of the writer's rural narrative.