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The Analysis Of The Influence Of Japanese Anime Subideology On Chinese Teenagers

Posted on:2019-04-30Degree:MasterType:Thesis
Country:ChinaCandidate:J H SunFull Text:PDF
GTID:2405330548964034Subject:Chinese ethnic minority art
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Under the current background of globalization,those advocates that have overemphasized mainstream ideology are gradually being dispelled by popular culture and Internet technologies.The relationship between culture and market is increasingly closer,and the ideological representation is increasingly diversified,clustered,and provincialized.When we put our perspective on these new changes and new concepts of ideology,the concept of sub-sets of ideology,namely “sub-ideology”,draws the attention of the author.The external output of different countries and ideologies also have a gradual transition from violence and political expansion to a more implicit process of cultural output and cultural market construction.This has resulted in the Subideology which is included in "local culture." has become an important symbol of cultural output.In the past two decades,the profound influence of Japanese animation on Chinese youth has increased the attention of the society.There are many studies and discussions in this field.However,the cultural differences and similarities in the cross-cultural communication between the two countries,and the "sub-ideology" issues that are displayed behind them,analyzed by few people through the of "sub-ideology" in Japanese culture and Japanese cultural products.This article aims to tease out the relationship between sub-ideology and cultural products and Japanese animation by sorting out the concept of "sub-ideology".Through an analysis of the core concept of the aesthetic category of Japanese culture—“ Mono no aware”;and the analysis of Makoto Shinkai's anime works,exploring the different contents and problems of Japanese anime works at the “sub-ideological” level.Through this analysis,this paper intends to confirm that "sub-ideology" of dependence and cultural products are potentially influential.With the increasing number of Chinese youth audiences in Japanese anime,this influence will inevitably show an ever-expanding trend.Cultural penetration and the influence of “sub-ideology” will gradually show up over time.Therefore,this paper selects the cultivation theory.Based on this theory,empirical research methods are used to analyze the survey data obtained and the objects of observation interviews,and finally confirming the existence of this influence.Meanwhile this influence the behavior and consciousness level of individual adolescents in China.It is hoped that this study will provide certain ideas and methods for the cultivation of China's cultural market and the creation of cultural products.
Keywords/Search Tags:Japanese anime, sub-ideology, Mono no aware, Makoto Shinkai, cultivation theory
PDF Full Text Request
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