The Application And Presentation Of National Singing In The Performance Of Chu Opera

In today's society set off a wave of "inheriting the traditional opera culture craze,as intangible cultural heritage in Hubei Province,is in the Renaissance era,facing the opportunities and challenges.With the development of the times and people's aesthetic improvement in the premise of maintaining Chu contemporary traditional regional characteristics,in the Chu Opera repertoire of creation,tune performance and other aspects,strive to innovation and development.At the same time,China's national singing in the premise of inheriting and developing Chinese traditional vocal art characteristics,absorbing the western bel scientific vocal method,make the atmosphere more flexible and more broad range of sound,color is more rich,which can bring enlightenment to the development of Chinese opera.This paper respectively from the artistic conception and lingering charm and regional characteristics from the perspective of aesthetic generality combing national singing and opera two.At present,there are a lot of academic achievements in the research of the opera,folk singing to absorb the essence of traditional art from the opera,enrich the national vocal music performance.By the author in this paper from the other aspects of the science of national singing in vocal skills in opera singing and presentation,and specifically to Hubei Province,the province "The tea road":for example,focuses on the analysis of the female heroine aria Ya cavity exquisite,explains the national singing(National soprano for example)and Chu opera tune(female Ya tune for example)fusion in the use of breath,resonance,articulation,articulation of words and other aspects of the runqiang art effect,in order to promote the development and revival of Chu opera tune.