A Study On "The Rhythm And The Flowery Language" Of Liu Song's Poetry In The Southenr Dynasty

“Temperament faded away gradually but it got great development in the rhythm and the flowery language when poetry developed into Liu song dynasty.This is the turning point of the poetry.”Said by Shen Deqian in<<Talk on the Poetry>>.He thought it began with the poetry of Liu Song that the poetry of the southern dynasty concerned the artistic form.Many people agree with the viewpoint in the academic circle.Liu Song's poetry in the Southern Dynasty are of great significance to the formation of the later poems and the formation of some poetry theories.On the basis of the existing research results,this paper studies the four aspects of the poetry of Liu Song :“Temperament faded away gradually but it got great development in the rhythm and the flowery language”,the poetry creation of Liu Song in the “ rhythm”,the poetry creation of Liu Song in the “ flowery language”,and the theoretical significance of “the rhythm and the flowery language” poetry.Chapter 1 study the meaning and reason of Liu Song's Poems “Temperament faded away gradually” and “it got great development in the rhythm and the flowery language”.This chapter started from the meaning of the “temperament” and “the rhythm and the flowery language”,analyzed the characteristics of Liu Song's poetry,and thought this is a opposite state of Liu Song's Poetry “temperament faded away gradually” and “it got great development in the rhythm and the flowery language”.The poetry of Liu Song are not seldom expressed temperament,but people pay more attention to “the rhythm and the flowery language” in their writing at that time.The importance of “ the rhythm and the flowery language” is closely related to the pursuit of the beauty of sound,the development of phonology and the introduction of Buddhism.Chapter 2 study the creative characteristics in “the rhythm” of Liu Song' s poetry.This part did detailed analysis of the works of Liu Song's Poetry from the “focus on voice cadence” and “make the best use of the alliteration and assonance and reduplication”.It is believed that Liu Song's poets have noticed that the voice cadence,and they tended to choose the level of rhyme unconsciously in the aspect of rhyme.And it is more and more frequent that the poets of Liu Song used the alliteration and assonance and reduplication,and in various forms than that poets before Liu Song.The purpose of this is to make the poetry read with the aesthetic sense of rhyme.Chapter 3 study the creative characteristics in “the flowery language” of Liu Song' s poetry.This chapter did detailed analysis of the works of Liu Song's Poetry from the application of the gorgeous language,the carving of the sentence,the importance to the dual and the allusions,and make a multi-angle description of the scene.It is believed that poets of Liu Song are very exquisite in the the choice of the word,the arrangement of the sentence and the characterization of the scene in order to make the works have the aesthetic feeling in the form.And the aim is to pursue the artistic effect of the poetic rhetoric,the full-sentence order,the similar scene.Chapter 4 discuss the theoretical significance of Liu Song's Poetry of “the rhythm and the flowery language”.This part study the function of Liu Song's poetry of “the rhythm and the flowery language” on the formation of Qi Liang's “prosody theory” and Liu Xie's “ scenery theory” from their formation process and main content.And the impact on later poetry creation that the climate of focusing on the form of the poetry of “the rhythm and the flowery language”.It's believed that pursuit of the beauty of form of Liu Song's poetry of “the rhythm and the flowery language” not only makes the later poetry creation of the aesthetic consciousness is improved,but also to promote the artistic expression of the works.The conclusion part of this paper,it pointed out its positive significance to Chinese ancient literature and classical aesthetics development by the study of Liu Song's poetry of “the rhythm and the flowery language”.That is,the poetry of “the rhythm and the flowery language” not only promoted the development of Chinese classical poetry,but also made people pay attention to the aesthetic part of literature and art consciously,and promoted the development of Chinese classical aesthetics.