The Reasearch On The Brass Ensemble Works Of Inner Mongolia Ethnic Style

The western brass instruments represented by trumpet were introduced to Inner Mongolia in the early 20^th century.From the early 20^th century to the 1940s,the brass was always in a state of slow development even stagnant.It was better after the founding of new China.Since the 1950s and 1960s,the brass in Inner Mongolia has developed by leaps and bounds.From the 1990s,there are works of western brass that have Inner Mongolian ethnic style and are displayed on the stage in an independent ensemble.In the course of twenty years of development,the composers are producing them in succession.In this paper only three of the most typical works that are from the perspective of the performer are selected to do some multiple-perspective and comprehensive study which are from the author,the analysis of works,the playing experience,the thinking of the second degree creation and so on.It is in order to provide some reference for the creators and players who commit to study the works of western brass with Inner Mongolian ethnic style.