Research On The Characteristics Of Stone Carving Culture In The Tomb Room In The Southern Song Dynasty

The stone carving in the Southern Song Dynasty is an important part of the Bozhou(Zunyi in today)culture.It recorded the prosperity and development characteristics of the Bozhou's economy,politics,and culture under the rule and management of Yang Can at that time.During the Tang and Song Dynasties,the Bozhou stone carvings reached the peak of prosperity and entered the period of full development in the Southern Song Dynasty.During this period,the stone carving culture was diverse,with many forms and rich contents.The stone carvings of Yang Can were most prominent.The content of stone carvings provides fresh historical facts for studying political,economic,and cultural aspects during the reign of Yang Can.As the peak period in the history of stone carving,Yang Can's tomb represents the highest achievement of the Stone Sculpture in Bozhou.The excavation of the tomb of Yang Can has attracted extensive attention from all walks of life.Different studies has been conducted on the stone carving,history and culture,hierarchy,and folk culture of Yang Can's tomb.As a typical example of the tomb of the Southern Song Dynasty in the southwest region,the tomb of Yang Can is of great significance.Starting from the background of the stone carving culture in the Southern Song Dynasty,the use of the overall introduction of local forms,mainly from the perspective of arts and aesthetics to study the historical background,the overall pattern,the stone content and form,the meaning,the stone carving art Value and other content.The first three chapters,as basic materials and basic research,have laid a foundation and material support for the final study of the art value of the stone carvings of Yang Can's tomb,summarizing the humanistic values and economic values covered by Yang's tomb stone carving art.The modern people's reflection and application of stone carving art and even Chinese traditional culture,understanding of the humanistic atmosphere andhistorical lines contained in the stone carving arts,learning the meditation life in modern society,looking back at history,comprehending art,and inheriting culture.The first chapter reviews the history of the development of the stone carving culture in the Southern Song Dynasty,and gives a brief overview of the origins of stone carvings and the classification of modern stone carvings.It divides the stone carving art of the Southern Song Dynasty into three historical development stages,namely the sprouting period,development period,and maturity period..The stone relics of the Southern Song Dynasty are scattered throughout the country,but the Imperial Mausoleum and the Buddhist Grottoes are their core storage areas.The traditional techniques of stone carving began in the Han Dynasty,developed to maturity in the Wei and Jin period,and spread during the Tang Dynasty.It can be seen that when the stone carving arts spread to the Southern Song Dynasty,it was already a hundred years of development history.The second chapter is an overview of the overall situation of Yang Tomb.First of all,the summary of the excavation work of Yang Can's tomb and the time background of Yang Can's reign,including socio-economic conditions,natural geography,and humanities,were summarized.Then the overall situation of the construction of the grave of the tomb of Yang Can,the stone used,and the stone carving process were combed and detailedly summarized by using chart statistics.The third chapter is the research on the stone carving art diversity of Yang Can's tomb,divided into two parts: the form diversity of stone carving art and the diversity of cultural implications.The artistic style of the stone carving in the Southern Song Dynasty was greatly influenced by the painting style of the Southern Song Dynasty.The paintings of the Southern Song Dynasty are both elegant and delicate and majestic.Theirbrush strokes are simple,and they portray vivid characters such as characters and auspicious designs.The overall style of the stone carvings of the Southern Song Dynasty was a combination of multi-ethnic elements and multi-cultural painting styles.This feature constitutes the artistic style of Yang Can's tomb.It mainly analyzes the arts,expressions,characters and decorative features of Yang Can's tomb.The fourth chapter summarizes and analyzes the humanistic value of Yang Can's tomb stone carving art,including the concrete discussion and research on its cultural value,artistic value,aesthetic value,and educational value.It is the author's shallow opinion.Through value analysis,we will make specific reflections on the relationship between modern culture and historical culture,and put forward meaningful value enlightenment.