The Application Of The Contrast Between Red And Green In The Creation Of Modern Meticulous Flower-and-bird Paintings

In ancient times,Chinese painting was also called danqing.In qing dynasty fang xun’s painting theory of mountain still living,there were "[1]."Dan" means red,"green" means cyan,and the word "danqing" stands for all colors.As far back as neolithic pottery,there have been quite complex colors;When the eastern han dynasty in Inner Mongolia and Linda lingle tomb murals of the tokugawa shogunate ning town,liaoyang bar counter when the south-north tomb murals "motor figure" and so on,has a zhu,red,orange,yellow,green,white,ochre,ink,such as a few color,enduring,colorful;In the mogao grottoes of dunhuang frescoes on the tang dynasty the dazzle colour is bright,big general landscape glittering,xiao li Huang Quan father and son of riches and honour flowers and birds and luxuriant,color is used even more is hard,and the red and green is the painter of the most widely used,such as cinnabar and azurite,stone green,ochre and cyanine,etc.,contrast is very strong.It can be seen from this that ancient Chinese painters had a long history of using the contrast between red and green.About the use of color,that is,"color",the "six" by xie he in southern dynasty in [2] have "with the class FuCai" [3],and the southern dynasty Song Zongbing preface to landscape painting "in color and color" in [4] say,it sums up the painting color should according to different object,and given different performance.On the one hand,although Chinese painting is "FuCai with class","fu" with "class",that is,it expresses its inherent color according to the objective existence of things.,on the other hand,it is not pure objective naturalism,to emphasize the characteristic and the individuality of a natural objective things,in order to present the visual effect of art image,and the plot in order to fully reflect the painter’s personal thought,painters tend to picture of the inherent color adjusted with the change of objective things.Such as "green landscape" [5],is to grasp the nature of a mass-tone attune to deal with,is a kind of spiritual subjective coloring,thereby achieve the painter’s art pursuit and aesthetic effect,is the so-called "supernatural",it is for this reason.In the modern theory of color,red and green as one of the three primary colors,and is complementary to each other,the two collocation are together,comparative and intense,dazzling bright,has strong stimulation for human sense organs.The application of the contrast between red and green not only conforms to the realistic meaning,but also provides infinite possibilities for artistic creation.The author tries to explore the aesthetic value of red and green color contrast from the traditional and modern perspectives.This article first from the first chapter is the analysis of the red and green in traditional Chinese painting,such as traditional Chinese painting in the red,Chinese paintings in the green and red and green contrast in the application of traditional Chinese painting,for example,is expounded.The second chapter from red and green contrast overview and application in modern fine brushwork flower-and-bird paintings,for example: such as red and green overview of contrast and color contrast in the red and green,and contemporary painting flowers and birds painting contrast performance and the concrete application examples are analyzed;Third chapter from red and green contrast to the traditional Chinese realistic painting flower and-bird painting: the impact of creative practice,such as in the tradition of learning began,independent in the accumulation of experience,the author made in the practice of the process and ideas.Finally,it is the conclusion of the article,a summary of the article narrative.