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Psychoanalysis Of Ki-duk Kim The Movies In The Field Of Vision

Posted on:2019-02-12Degree:MasterType:Thesis
Country:ChinaCandidate:G P ZhangFull Text:PDF
GTID:2405330566978679Subject:Theater, film and television
Abstract/Summary:PDF Full Text Request
In the late 19 th century early 20 th century,the Austrian psychoanalyst sigmund Freud for hysteria through long-term research put forward the theory of the unconscious,and proposed on the basis of the theory of the unconscious sexual instinct,dream interpretation theory,theory of personality structure,thus formed the basic framework of psychoanalysis theory.Since then,psychoanalysis has produced important influences on not only in psychology,art,cultural thinking has had a profound shock,pushing some of the important branch of the modernism and postmodernism,such as expressionism,surrealism,etc.The film art,which was born almost simultaneously with psychoanalysis,was soon affected by this wave.In the 1920 s,the European avant-garde film movement began to pay attention to the appearance of the unconscious and irrational state of people.In the middle and late 20 th century,movie and dream analogy,prompted the psychoanalysis theory of film forming,in turn,this theory and semiotics,cultural studies,theory of ideological criticism,feminist perspective,has a big influence in the contemporary film theory.With the influence of " Western learning spreading to the East " in the mid and late 1990 s,and the gradual relaxation of the south Korean film censorship system,the south Korean film culture industry has developed unprecedentedly.Of the many excellent south Korean film directors,the "alternative,marginal" Korean film director,ki-duk Kim is undoubtedly the most dazzling,eye-catching,but also the most controversial.The non-director,who was born in a primary school culture,is a "film clipper".The fastest shooting of his work was three hours.Although the shooting time is short,it does not affect the quality of the film.Finely crafted image picture,extreme characters,which is formed by the bizarre plot unique aesthetic artistic conception and revealed in the film,the edge for the survival of the state of the human nature concern,these all for history,deep thinking and human life,made him repeatedly favored by the world's major film festival and recognition,become the contemporary the most affected by the south Korean director of the world's attention.In this paper,a systematic and in-depth exploration of the film art of ki-duk Kim is made.Through the analysis of the content of the video text,this paper reinterprets the content features of the ki-duk Kim's film from the perspective of psychoanalysis.By ki-duk Kim himself early life experience and the creation of the deep psychological motivation for mining,analysis and research,the author hopes to ki-duk Kim unique film language and a clear personal stylized aesthetics characteristic has carried on the detailed and comprehensive analysis.The structure of this paper is proposed as follows:The introduction begins with the emergence of psychoanalysis,and narrate the origin of psychoanalysis in the western and the film,and the exploration of the interpretation of psychoanalysis in Asia in the film field.After summarizing the research of related subjects at home and abroad,the author intends to analyze the textual content in the jinkidd film with the theory of psychoanalysis.First chapter carefully discusses the influence of psychoanalysis in film field,the author's creation motive in general have inseparable relationship with his early life experiences,ki-duk Kim shadow has been growing up with his childhood,and even fusion in his work.The second chapter explores Freud's theory of unconscious and the theory of "dream",and explores the theory and application of unconscious theory and "dream" in "the sad dream" and "truth" respectively.The third chapter discusses the basic content of the personality structure theory,and the relationship between "id","ego" and "superego".Through specific textual analysis,I have shown myself,ego and superego attributes.The fourth chapter discusses Freud's psychological defense mechanism-repression.Use the specific characters and life experiences of the film to demonstrate the suppression of this psychological defense mechanism.The fifth chapter discusses the life and death instinct,and analyzes Freud's "peep addiction","Oedipus complex","death instinct" and other theories through specific plots and motivations.
Keywords/Search Tags:Freud, ki-duk Kim, Psychoanalysis, Film
PDF Full Text Request
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