The Innovation Of Landscape Painting In The Republic Of China

In the period of the Republic of China(From 1912 to 1949,the democratic republic of Asia established by Sun Yat-sen after the Revolution of 1911,referred to as the Republic of China),faced with the strong impact of Western culture,many masters of Chinese painting with advanced ideas began to seek new outlets for landscape painting.The innovation of Chinese traditional landscape painting system has been quietly carried out,the ultimate purpose of innovation is to promote development,and the innovation of the Republic of China landscape.It is also true that this reform not only advances the process of modernization of landscape painting,but also removes many of the ancient fossilized ills left over from the development of landscape painting.This change is a relatively comprehensive change in the history of landscape painting.It involves the aspects,landscapes,aesthetic concepts,and other aspects of landscape painting.The schema of landscape painting refers to various elements of the picture,including many aspects such as structure,composition,space,and perspective.We all know that traditional Chinese landscape painting is created using a scatter perspective method.This is different from the perspective of Western perspective that is faithful to sensory vision.In the Republic of China,landscape painters began to attach importance to screen space because of the influence of western realism.Factors such as volume,perspective,etc.,and began to pay attention to sketching,changed the thought of “lasting as the last” in the late Qing Dynasty,and promoted the development of western sketching and the emergence of ancient painting.During the period of the Republic of China,in addition to the formal innovations in the reform of landscape painting,the innovations in content were quietly underway.At that time,the artist's identity status began to change due to the influence of the social environment,and the contents of the landscape painting began to change.The transformation highlights both the performance theme and the artistic conception of performance.With the continuous development and progress of society,people have changed the aesthetic concept of landscape painting.They began to advocate the innovation of traditions,not blindly following the conservative landscape painting methods of the Four Kings of the Qing Dynasty,and they began to seek new directions for the development of landscape painting..Not only that,people's aesthetic concepts are also constantly improving.The advanced theory “art popularization” has begun to appear in society.This theory has not only made the learning of landscape painting more and more popular,but also affected the influence of landscape painting.The scope has become wider.