Study On The Form Of Ink And Ink In Contemporary Chinese Ink And Water Landscape Painting

Since the reform and opening up,Chinese society has entered a major transformation period.With the spread of visual culture into the era of images,the continuous influx of aesthetic values of Western visual art has opened up a broader artistic vision for ink painters,and ink painting has also moved towards a diversified development path.In this historical period,the painting language of ink landscape painting has also undergone significant changes,especially as the core element of ink,its aesthetic value and style has been fully affirmed after many discussions.It is precisely because of the controversy and exploration of ink and brush in the field of ink and wash painting that triggered the climax of the fever of sinology,changed the social and cultural psychology of the Chinese people,strengthened cultural self-confidence,promoted the extensive dissemination and continuous exchange of ink and wash landscape painting,and promoted the active transformation of traditional ink and wash language.However,while emphasizing the value and spirit of pen and ink,there are inevitably misinterpretations and over-interpretation.Therefore,we should view the innovation of brush and ink language in ink and wash landscape painting from an objective point of view.We should not only pay attention to the new demands of visual aesthetic style put forward by contemporary people because of the changes in lifestyle and ideas,but also strengthen the in-depth understanding of brush and ink language in ink and wash landscape painting.This paper takes the "brush and ink style" of contemporary Chinese ink landscape painting as the research object,starting with the "classification of brush and ink style",mainly using the relevant theories of visual culture,adopting the methods of image analysis and comparative analysis,classifies the abundant brush and ink styles at present,and reveals its deep cultural connotation by combing and summarizing the brush and ink language of Chinese ink landscape painting at present.This topic is launched around the following four aspects: first,try to explore the ontological attributes of ink and brush in ink landscape painting,inquire into the origin of "ink and landscape painting" and "brush and ink",through the analysis of their concepts and meanings,and then explore their intrinsic aesthetic value;second,in the current complex cultural context,explore the extension and deep connotation of ink and brush in ink landscape painting.And its external language forms are classified and studied;thirdly,by comparing the real picture,the paper specifically analyses the elements of the brush and ink language and the presentation of the aesthetic form in the Chinese ink landscape painting works;lastly,on the basis of the induction of various different brush and ink styles,it explores how to correctly treat the traditional context spirit and the brush and ink value of contemporary Chinese ink landscape painting,as well as how to explore how to deal with them.Construct the aesthetic value system of contemporary ink landscape painting brush and ink.Generally speaking,in today’s complex and changeable social and cultural context,the multiple attributes of brush and ink language expression in Chinese ink landscape painting will exist and will persist for a long time.Although we are unable to change the standard of visual aesthetic judgment in secular culture,as practitioners of ink painting,we should try our best to win the right of aesthetic discourse belonging to the noumenon of brush and ink,and explore the profound essence of art with sincere enthusiasm.