Ecological Aesthetic Implication Of Laindscape Literature In Wei,Jin And Six Dynasties

The period of Wei and Jin,southern and Northern Dynasties was a special period,and its landscape literature contained abundant ecological aesthetic implication.Taking the works depicting natural landscape in the Wei and Jin,southelandscape rn and Northern Dynasties as the starting point and taking the diachronic development of literature as the main line,this paper analyzes the natural depiction of landscape in the representative works of important writers in this period,explains the ecological aesthetic relationship between man and nature expressed in the works,and sensations the ecological aesthetic implication contained in landscape literature.The connotation of the ecological aesthetics of the landscape literature of the Wei and Jin,southern and Northern Dynasties,the mountains of scholars and the promotion of nature,emphatically analyzes the interaction between poets and natural landscapes in the concrete life practice,expounds the poet's feeling of nature and the aesthetic relationship between man and nature,and analyzes how writers endow all things of nature with life charm in concrete creation.And to achieve the things I sense,things I am the unity of the ecological aesthetic.Integrating the landscape literature and contemporary ecological aesthetics of Wei and Jin Six Dynasties,this paper expounds the relationship between man and nature in the landscape literature of Wei and Jin,southern and Northern Dynasties,constructs the ecological aesthetics of the landscape literature of the Wei and Jin,southern and Northern Dynasties,and grasps its literary value,cultural influence and historical orientation.This article is divided into five chapters,the analysis of the problem mainly according to the following ideas;The introduction part discusses the present situation of the study of landscape literature in the Wei and Jin,southern and Northern Dynasties and the relationship between landscape literature and ecological aesthetics in the Wei and Jin,southern and Northern Dynasties,and holds that the research works on landscape literature and ecological aesthetics in this period are quite abundant,However,there are still gaps in the study of the ecological Aesthetics of landscape literature in the Wei and Jin,southern and Northern Dynasties by combining landscape literature with ecological aesthetics and combination.In addition,the scope and meaning of landscape literature and ecological aesthetics in the Wei and Jin,southern and Northern Dynasties were defined,and it was made clear that the essence of the ecological aesthetics of landscape literature in this period is:Man and nature are common,and naturally they are the main body with spirituality and emotion,and only in this way can the relationship between man and nature make harmony,Has the ecological aesthetic implication.Finally,the writing purpose and writing significance of this paper are clarified.The first chapter,in connection with the characteristics of the relationship between man and nature in the pre-Qin and Wei dynasties,summarizes its experience and reference for the rise of landscape literature in Wei and Jin Dynasties,and analyzes the differences between man and nature in the pre-Qin and Han dynasties and the six dynasties period in the Wei and Jin dynasties.The second chapter discusses the reasons for the rise of landscape literature in Wei and Jin and Six dynasties,first of all,the rise of metaphysics in Wei and Jin Six dynasties,breaking the dominant position of Confucianism,paying attention to the expression of real emotion such as the individual's inner joys and sorrows,in order to find the balance of the inner world,they choose to return to nature,close to nature,Secondly,the hermit thought promotes the emergence of the aesthetic consciousness of landscape,and forms the fashion of the aesthetic trend of natural landscape.In particular,the "DPRK and Yin" in the Western Jin Dynasty made the natural landscape and the daily life of the scholars combine,and the people swam naturally to become universal,which directly promoted the rise of landscape literature.Third,the manor economy for people to indulge in the landscape provides a material guarantee,so that people without worries in the interactive exchange with the natural landscape,the pursuit of spiritual freedom,get rid of the secular burden,do the mood of the indifferent,to reach the realm of the underworld.Finally,the literati consciously promote the rise of landscape literature.The key to the beautiful feeling of landscape nature lies in the construction of aesthetic subject.The individual aesthetic consciousness strengthens,the natural landscape in the people's heart is can be kind,the communication,the interaction,the natural only gradually appears with the independent esthetic meaning,the person can realize the natural power from the heart,is moved by the natural beauty,the landscape nature gradually becomes the object with the independent esthetic significance,contributes to the rise of landscape literature.The third chapter discusses the relationship between literature and nature in the six dynasties period of Wei and Jin dynasties,that is,the way of literary expression of nature.This paper summarizes the natural ways of showing nature,such as the feeling of Xing-hair moving,landscape,and the sense of meaning,and the relationship between literature and nature in this period.The fourth chapter describes the relationship between man and nature displayed by landscape literature in the six dynasties period of Wei and Jin dynasties:one is the way of relationship between man and nature,this paper mainly from the garden banquet,mountains and rivers Trail,mountain forest secluded,Youxian imagination,enjoying idyllic and other aspects of the discussion,from people to participate in the natural landscape,And with the natural landscape of the internal deep-seated equal communication and exchange,showing the relationship between man and nature harmony and rapport.In the process of indulging in natural landscape by the natural unique beauty moved and attracted,the heart is full of infinite yearning for the natural landscape,in nature to eliminate the burden of secular life,to maintain the peace of mind and indifference,in the natural landscape gallop,the pursuit of spiritual getaway,and then achieve the realm of unity of heaven and Man.The second is to discuss the meaning of natural objects to people,or to discuss the ecological perception experienced by poets between mountains and rivers.In literary works,the writer makes rational thinking on the relationship between man and nature by depicting and showing the object of natural landscape,and has a lot of feelings about the society,the life and so on according to this kind of cognition.This paper sums up the following three points:1.natural landscape has independent aesthetic significance and value,beauty in the self-beauty.2.feeling to indulge in the natural landscape of the process,access to aesthetic pleasure.In the process of being close to nature,we get the spiritual detachment,get rid of the sense of freedom of the secular fame and fortune,and gain the spiritual and spiritual self-suitability.3.clear taste,in the process of indulging in the natural landscape,understanding the nature of the mystery,in the process of wandering the landscape "scattered",and understand the natural creation of endless mystery,to reach the realm of the underworld.The conclusion part summarizes the ecological aesthetic significance of the landscape literature of Wei,Jin and Six dynasties.On the one hand,landscape literature is the artistic presentation of ecological aesthetics.On the other hand,the landscape literature of Wei and Jin and six dynasties marks the emergence of nature as an independent aesthetic object.