On Wang Fuan's Book And Its Historical Position

Mr.Wang Fuzheng is a master who has passed three generations of the late Qing Dynasty,the Republic of China,and the New China,and has outstanding artistic achievements.His success lies in the successful integration of printing and calligraphy to a new height.He was engraved in the world and printed more than 30,000 square meters for a lifetime,leaving behind a huge engraved treasure for later generations.However,Mr.Xiao's attainments and accomplishments in calligraphy are particularly extraordinary,but he is often overlooked by later generations.Mr.Wang Fuzhen was born at the beginning of Shuxiangmendi.His father is a famous Chinese calligrapher and educator.He has studied quite a lot in Jinshi studies.This has laid a solid foundation for Wang Fuzhen's subsequent achievements in calligraphy and seal carving.His Xiao Yanshi method,"Two Li," at the same time,he took the Golden Stone and absorbed the style characteristics of his contemporary books such as Deng Shiru,Wu Changshuo,and Yang Shusun,and he innovated to form a graceful,dignified and graceful appearance.The book circle at that time brought a touch of �quietness to a distant place� and at the same time,it also had a profound influence on later-generation calligraphy.This article takes Wang Fuan's calligraphy as an entry point and Zhu Bozhi's governing motto as an example to study the teacher's inheritance,method of creation and style characteristics of Wang Fuan's book,and re-evaluates Wang Fuzhen's position in the history of calligraphy.Looking at ancient and modern Chinese and foreign research articles on Mr.Wang Fuzhen,we can easily discover that most of these words are based on the engraving art of the gentleman.Combining with his calligraphy analysis,he is quite insightful and clearly puts calligraphy in a subordinate position.However,the special discussion about calligraphy is mostly an introductory and appraisal comment.It lacks an in-depth analysis of the structure within the word and is far from demonstrating the outstanding calligraphy achievements of a generation of masters.The purpose of this article is to horizontally and vertically present Wang Fushao's calligraphy art in a three-dimensional and clear manner,presenting the Qing Dynasty book alchemist Yan Xiong Wang Fu's art and its influence on Chinese calligraphy,and re-recognizing Mr.Wang Fuzhen's underestimated history of calligraphy.In order to make up for the lack of research in the history of Chinese calligraphy.