Lacquer Jewelry Art Characteristics Research Of Liangshan Yi Nationality

At the beginning of the 20 th century,the Liangshan Yi Autonomous Prefecture has been in a slavery society.The traditional culture of the Yi people has remained basically unchanged for thousands of years,thus forming an ancient and unique artistic and cultural style.Among them,Liangshan Yi nationality lacquer ware is the most representative.At the same time,it is also a national lacquer ware with unique characteristics.Its unique artistic charm has become a valuable cultural resource for promoting the economic development of Liangshan.Liangshan Yi nationality lacquer jewellery is an indispensable part of Yi people's lacquer ware,and still exists in the market in large quantities,which provides convenience for the research materials of this paper.This paper collects and studies Liangshan Yi nationality lacquer jewellery,and describes the craftsmanship,graphic symbols,shapes and colors of lacquer jewellery.According to the research,lacquer jewelry shows the artistic effect of advocating nature and emphasizing casualness in the production process.Then it discusses the graphic symbols and forms of Liangshan Yi lacquer jewelry,including natural,plant,animal and production and life patterns.With the change of production and life style,it means that on the basis of the initial "defense enemy" and "disaster recovery",we gradually add the good wish of "stretch of offspring" and "Hope that future generations will flourish".The color of lacquer jewelry is black,red and yellow,which reveals the way of thinking of the Yi people,religious culture and the exchange of Yi and Han cultures.On this basis,on the one hand,the author compares Liangshan Yi lacquer jewelry with other lacquerware of Liangshan Yi nationality.Both belong to the same lacquerware of Liangshan Yi nationality,which makes them have the same decorative theme and aesthetic tendency.However,influenced by social development,they have their own development trajectory.Lacquer jewelry has begun to enter the cheap market,and lacquer tableware and wine utensils have changed from everyday utensils to Luxury goods.The practical functions of weapons and harness gradually disappeared and began to turn into collectibles.Influenced by the hierarchy system,the lacquerware used by Black Yi and White Yi also differed.Influenced by the type of lacquer jewelry,the main pattern of lacquer jewelry adopt sparse and exquisite decorative features,while other lacquerware follow the decorative effect of more full composition.On the other hand,the author compares the Liangshan Yi nationality lacquer jewellery with other regional lacquer jewellery from the production process,ornamentation and color,and analyzes the similarities between them.However,the Yi lacquer jewellery adopts a partial abstract pattern on the ornamentation.In other regions,the lacquer jewellery ornamentation is divided into two categories: one is a figurative image and the shape is vivid and vivid.The other is the use of irregular random textures.Through comparison with the author,it is found that the simple and bright patterns of Liangshan Yi lacquer ware,simple and unique forms and elegant and elegant colors basically cover the unique geographical,cultural environment,production and lifestyle,ethnic customs,cultural traditions and long-term accumulation of national beliefs,aesthetic trends and the formation of values,these are the wealth that the Yi and even China cannot estimate.However,with the acceleration of the modern social process,the customs,thoughts and values of the Liangshan Yi people began to change,making the Liangshan Yi lacquer ware at risk.This paper records and studies the rapid development of Liangshan Yi lacquer ware,which has not replaced science and technology,and provides empirical data for the study of Liangshan Yi lacquer ware.It is also beneficial for recording,enriching and developing Liangshan folk art.