Wu Cheng’s "Temperament" Poetic Study

This article takes Wu Cheng as the research object in the Yuan Dynasty.Wu Cheng is a Confucian scholar in the Yuan Dynasty and has made great achievements in the fields of philosophy and literature.His poetic thought is based on the idea of science.The uniqueness of Wu Cheng’s poetics is that he has opened up the communication channel between science and poetry through "temperament",abandoned the viewpoint of Song Confucianism,and successfully constructed a set of affirmative literary value.Theology of poetry.In addition to the introduction,this article is divided into four chapters.The introduction part combs the research significance and research status of Wu Cheng’s poetics research and the "temperament" category,and summarizes the research results in recent years.The first chapter combs the content of Wu Cheng’s philosophy of "temperament".Separate the relationship between "rationality","qi","heart" and "temperament" and divide it into three subsections.First of all,"temperament" is an important proposition in the Confucian philosophical thinking to explore "what is man".The philosophers believe that people can communicate through temperament and heaven.The common emotion between man and heaven is moral emotion,and sex is the product of qi.The nature of heaven and earth is the manifestation of qi,which appears as "goodness".Secondly,in reality,people have the distinction between good and evil.In Wu Cheng’s view,the reason for the differences between individuals is that they each contain a unique "qi",which can also be called "temperament" and " Discouraged,it will be affected by the outside world and will undergo certain changes.The goodness of human beings is constant.What can be changed is only the temperament wrapped in goodness.Therefore,how to remove the bad temperament and restore the goodness of people requires the "heart" to play its role.In the view of philosophers,restoring goodness requires people to learn and think,thus improving their inner self-cultivation,and "heart" as the intermediary of the "temperament" and the intermediary of the body,gain the ability to feel,react to things Sensual understanding and self-cultivation.The second chapter combs the inner logic of Wu Cheng’s poetics and explains its poetic content.It is divided into three major aspects: ontology,creative subject theory and creation theory.First of all,from the perspective of poetics,combined with the first chapter to sort out the "temperament" of science,further determine the internal relationship between "temperament" and "qi" and "heart",and finally draw the root of Wu Cheng’s poetics as " temperament".Wu Cheng constructed the whole poetic thought with "temperament".Secondly,Wu Cheng asked the creative subject to express his true feelings.Wu Cheng also believes that "the true nature of temperament" contains the common emotions and individual emotions of human beings.Wu Cheng constructed the subjective theory of temperament poetry based on the individual emotions based on human common emotions,and believed that the subject of creation will be influenced and shaped by the external environment,thus affecting the history of poetry and poetry.In the end,Wu Cheng asked the poet to “be natural to the heart”,and it contained two aspects: First,the poet used the “heart” as an intermediary to perceive the outside world,thus generating emotions and thoughts.Second,Wu Cheng uses words as a medium to express emotions without modification.The third chapter mainly discusses Wu Cheng’s reflection on the poetry problems and phenomena at that time.First of all,Wu Cheng reflected on the poetics of the early Tang Dynasty and the Tang Dynasty.It was found that the fundamental problem of the poetry of the late Song and Yuan Dynasties was that the poets often ignored the needs and freedoms of the true self-emotion,and did not find the individual.The difference between "temperament" is blindly and blindly modeled by the inner spiritual world of the antique man.Second,he reinterpreted the relationship between the Tao.He replaced the metaphysical idea with emotion,and under the premise of adhering to the aesthetic characteristics of poetics itself,he expanded the connotation of "Tao" and showed the uniqueness of Wu Cheng’s poetics.The fourth chapter mainly discusses the direct and indirect effects of Wu Cheng’s erotic poetics on later generations.The author combs some poetic concepts related to "temperament" put forward by the theorists in the middle and late Yuan Dynasty and the Ming Dynasty,so as to explore the inner relationship between the theory of later generations and Wu Cheng’s temperament poetics.