Study On The Reference And Performance Of Seal Character In Qing Dynasty To The Amount Of Steles In Han Dynasty

The seal character of Qing Dynasty is a page with strong and heavy color in the history of Chinese seal characters.Due to the rise of epigraphy and textology research at that time,many calligraphers participated in the "Idyllic" activities of exploring and visiting steles,and a large number of Han steles with various styles were brilliant.The artistic design of Han tablet were engraved,which can be divided into two categories: "Intaglio" and "Yang engraving".According to its style can be divided into straight and horizontal two major types.In addition,through the objective observation of the overall structure,stroke power and line texture of the Han steles,the calligraphy style of the Han steles can be divided into several categories:first is smooth and upright,fangyuan relief phase,Li and seal character fuse;Second is beautiful graceful,natural circulation;Three is primitive simplicity、sincere and honest,upright and strong.The tablet forehead of Han Dynasty has extremely high artistic value.Han the modelling of the art processing technique,in addition to mix official script,as well as the structure of the seal character of exaggeration,especially in the coordination between the square and round and change,glyph staggered abound the processing of decorative,be good at using a distortion of the facts and make the line with the free circulation in the form of artistic processing technique,such as more fully demonstrate the features of the eastern Han Dynasty the seal character charm.Therefore,the valuable information provided by the inscription of Han Dynasty is of great inspiration and reference value to the seal script creation of later ages.The statement of this artcle may be separated into five parts: the first part from the early stage of the Qing Dynasty cultural activities to set out,describes the early Qing Dynasty rulers to culture in the field of bookmaking banned books and was serious monitoring,thus lead to the rise of textology and epigraphy,make of the Pre-Qin and Han Dynasty tripod inscriptions,stone in the eyes of the Qing Dynasty calligrapher BeiBan are presented;The second part is the theoretician’s deep study on the inscription in Han Dynasty.The third part and the fourth part are the core part of this topic,mainly from the origin of Deng Shiru’s calligraphy,tells the story of the original success of the Han Dynasty inscription--Deng Shiru.He creatively used the Hanstele for reference in brushwork,combination and arrangement,and made remarkable achievements,which deeply promoted the further development of the late Qing Dynasty calligraphers’ use of the Han stele for reference.The fifth part mainly talks about the influence of Han tablet inscription on later generations,and discusses how to use Han tablet inscription for reference through modern and contemporary calligraphy and seal cutting,so as to leave precious enlightenment significance for today’s calligraphy circle.