Narrating Folk And Folk Narrative

Non-fiction literature defined as the authority of field research,intensive critical attitude towards societies and clean-cut consciousness of problems tries to pull the literature that floating in the sky back to the ground which makes an attempt to amend the default attitudes,stereotypes,popular impression,prejudices to underclass and touch the vivid life in a viable way.Liang Hong'sNon-fiction writing of China in Liang Zhuang and witness of going out of Liang Zhuang are significant trials and challenges to folk narratives in one sense.The values and difficulties faced by Liang Hong's Non-fiction literature should be judged by what to write and how to write.In other words,what exactly happened in the rural landscape and the way to describe this change in literary rhetoric.From the narrating folk level,Liang Hong makes a comparative perspective between city model and rural development,modern values and traditional values in an overall scope and envisages the reality of the plight in local community.She also tries to present the desolate and rootless state behind the surface of prosperity via details.what's more,she extends native range from rural to urban villages and rethinks the value concept of rural society and culture roots in an isolated condition.From the villagers,based on the relationship between villagers and local?city,she tries to change endorsement of intellectuals and let farmers speak for themselves.In this process,author shows the effots of subjectivity and plight confronted by statute and thus liberate rigid image of farmers.In the aspect of local value,the author abandons critical perspective of torchbearer which In an attempt to make a detailed inquiry from what to why.Liang Hong commit to do some research on their psychological reality,rationality behind the label of ignorance and superstition,to explore the meaning of this reality and to discuss the abundant pain and irreconcilable contradiction in value paradox.From the folk narrative level,Liang Hong defined as Liang Zhuang's daughter rather than an outsider role comprehend the local Chinese cultural life with the attitude of sympathy perspective.this way,to a certain extent not only shorten the distance with the truth and vice is established.Author use the artistic technique of polyphonic narration to refine villagers discourse in original ecological and show their personality traits and conflict of civilization in discussing and debating.However the obvious intervention the author has control and eliminate the diversity of the polyphony.the author clarify the chapter with problem points,this has distinct pertinence and penetration,but too clear division to a certain extent,will obscure the richness and incommensurability of context.More importantly,Liang Hong mingles novels,poems,letters,and even literature reports with the text which make a breakthrough of the boundary of orthodox novel.However,inevitable ignorance of the contradiction of different stylistic meaning,function and aesthetic effect of friction is bound to fall into the double embarrassment of strict and beauty standard.