Research On The Structure Of Modern Painting

Painting is an art that is expressed in a visual language.What is its language? It is the artistic way that conveys the artist's spiritual appeal through the visual image and state of the picture.Traditional Western painting is created for the purpose of reproduction,mostly for mythology,religion and the record of life.At the end of the nineteenth Century,the development of science and technology made the artist begin to reflect on it.The post Impressionist painters first questioned the traditional ideas.Their pictures were no longer based on the basic characteristics of imitation,realism,and figuration,but instead of abandoning the traditional art concepts,they believed that art should not be attached to nature,but should exist in parallel with nature.Post impressionist painting form has gone through the form of concretion to abstraction,and then to discard the form of the picture until postmodernism.The image has returned again.The expression,deformation and abstraction become the basic characteristics of the form of the modernist painting.When people think about the performance of the picture,there will be various kinds of confusion.The structure of the picture is a prominent problem,and it is also the most important foundation for a picture.Compared with traditional painting in western modern painting,the biggest innovation is the change of the concept of painting form.It also focuses on the demonstration from the perspective of form.It concludes that the structural characteristics of pictures in modern painting can be roughly divided into three relationships: conflict,tie and harmony.The analysis of the changes in the structure of modern painting is in essence the centralization of conceptual change and form reconstruction.For the present creation of new ideas,so that people can use the structure of modern painting thinking more accurate expression of ideas and transfer emotions.This article studies the structure of modern painting,the article is divided into five parts: the first part,discussing modern painting.The concept of modernism is put forward by Poudelet M,modernism painting,with Cezanne as the beginning,he advocated painting to exist and the balance of the world,and the picture is completely subvert reproduction for the purpose of traditional painting,from the screen in the form of open up a new way of thinking.From then on,the modernist painting opened the prelude.In the second chapter,the definition of the structure of the picture is defined and the structure is divided into two relations between the deep layer and the surface.The third chapter,we trace to its source,the form and structure of the painting to do a review,in order to know the causal relationship between them.The fourth chapter is the focus of this paper,explains the research results,the first section summarizes three characteristics of modern painting biggest structure,the second section from the picture form point of view,analysis of the structure characteristics of skeleton generation painting can be divided into conflict relations,parallel relationship and harmonious relationship.And through the analysis of the works of a number of modern artists,it leads to the discussion of the relationship between the various structures of the picture.The third section of the fourth chapter analyzes other forms of modern painting.The fifth chapter is the application of modern painting structure in my creation.