A Study Of Jingdezhen's Blue And White Babao Pattern Of Tibetan Buddhism In Ming And Qing Dynasties

The appearance of the blue and white porcelain is not only an expression of the ancient ancestors' scientific and technological development,but also enriches people's aesthetic cognition of ceramic decoration.Jingdezhen's blue and white porcelain art is unique in the world.During the Ming and Qing Dynasty,it even changed the production pattern of the Chinese porcelain industry.Until now,blue and white porcelain is still the main species of ceramic production.The combination of the Babao pattern art started in the Song Dynasty.In the Ming Dynasty,it became a Buddhist religious pattern and was widely decorated in the field of blue and white porcelain.The Babao pattern reached its peak in the Qing Dynasty and gradually deviated from the religious significance,and turned to the widely used in public people.Jingdezhen is the main place of the blue and white porcelain in the Ming and Qing Dynasty.It is of great significance to study the Babao pattern of the blue and white porcelain,and it helps to understand the external relations between the techniques of ceramics and the change of ornamentation and culture and the aesthetic tone.This article is based on previous research,combing the development and evolution of the patterns of Babao of Tibetan Buddhism in different ages,revealed the cultural connotations and aesthetic significance behind the Tibetan Babao pattern.I hope to provide a valuable research result for the study of Jingdezhen blue and white porcelain and the cultural phenomenon of religious and secular contact.