Singing Analysis Of Aria "Love Song" And The Image Creation Of The Actress

Opera is a very important part of human music and art.Opera is a combination of various forms of art.It is a form of drama with literary scripts,stage performances,lighting and sound as its main form.Cangyuan,created in the 1990 s by Liaoning opera house and selected from To the rising sun in the east which was created by Yan Derong,is an epic drama with distinct Chinese national characteristics in the form of Western operas.Among them,"Love Song" runs through the whole opera,and its four appearances promote the development of the whole opera,which is the most typical part of shaping the image of Naren Gaowa.Both before and after singing through the specific analysis,the singers can understand themselves more clearly and accurately,also it can improve themselves in an all-round way,which is of great significance for inheriting the national cultural tradition and carrying forward the spirit of the Chinese nation.This paper is divided into three chapters to discuss the image creation and singing analysis of the heroine in Love Song.The introduction part reveals the research purpose and significance of the whole paper.The first part from the creation background and plot structure proceed the longitudinal discussion.The second part elaborates on the melody,mood and singing skills of Love Song in detail and it makes a horizontal analysis and Discussion on the "three masters" of stage performance,so that it can be used in the future practice.Through the understanding of the works and the deep understanding of the characters,the work can be completed more deeply.The last part is written about Naren Gaowa’s musical and dramatic image creation.It starts with the four appearances of Love Song to analyze the heroine Naren Gaowa’s characters of "rigidity" and “softness" and it elaborates Naren Gaowa’s pure and kind-hearted,justice and brave,good and evil distinct dramatic image according to the stage and opera deduction.Chapter II and III are the key chapters of this paper.The last part is the conclusion,which summarizes the context of the paper and reveals the importance of singing analysis of Love Song from different perspectives.At last,it summarizes Naren Gaowa’s image-building.