Study On The Factor Of "In-Yer-Face Theatre" In Martin McDonagh’s Plays

Martin McDonagh,a famous British screenwriter and director.In 1994,he began to work as a playwright.The critics categorized his dramatic work into "In-Yer-Face",arguing that he inherited the Irish literary tradition with a unique and bold postmodern writing style.subversion.The film creation that began in 2004 is also well received,and it is widely believed that its works are highly stylized and highly recognizable.But in China,the understanding of Martin McDonald’s works is almost a fault,and there is no comprehensive trackwriting of the scriptwriting.Therefore,in the introduction,a comprehensive introduction will be made to the life of the writer,and the current research status of Martin McDonald’s works at home and abroad will be listed,and the essence,reason and research innovation of the subject will be further elaborated.The first chapter will be based on The Leenane Trilogy and The Aran Islands Trilogy,which will focus on the creative features of Martin McDonald’s early dramas.Divided into two subsections,the first section mainly introduces the environment of its drama creation,and briefly summarizes the direct source of drama.The second section will analyze the characteristics of McDonald’s early drama works and interpret his works compared with other works.Facing the differences in the masterpieces of drama;the second chapter is the transfer of the writer’s creative focus to the new interpretation after the film is written(so far has not stopped the drama creation),as a division,together with the dramatic works,comprehensively and comprehensively Explore the uniqueness of it and try to explain the change of the writer’s narrative concept accurately.In the first and second quarters,mainly based on the analysis of the film works,explore the development of the direct drama factor in the film expression.In the third section,the main analysis of the drama works at this stage,watching the film expression to face the drama creation Impact.The third chapter will study the context of McDonald’s creation.In the conclusion,the summary of the creation of the scriptwriter is actually made.In the above,we strive to provide domestic readers with a more comprehensive new way of interpreting Martin McDonald’s scriptwriting works at the level of drama and film.It also provides a new perspective for interpreting straight-faced dramas.It is believed that it will be of great benefit to domestic scriptwriters..