The Concept Of Poetic Film

Film has formed a complex category and style during more than 100 years of development and evolution since its birth.Compared with dramatic films as the mainstream style,poetic films are unique in their creative ideas and performance styles,which is totally different from dramatic films,so as to gather into another light and shadow series and image tradition,and occupy quite a position with its special form and special value.In the history of film theory,some theorists put forward the concept of "poetic film",and made theoretical discussions on the artistic characteristics of poetic film,and gradually established some concepts of poetic film.However,in general,the study of poetic film is insufficient,and the concept of poetic film is scattered rather than systematic.On the basis of previous studies,this paper attempts to construct a systematic interpretation framework of the concept of poetic film,and then focuses on some major theoretical issues of the concept of poetic film in order to promote the in-depth study of poetic film.In terms of the overall structure,this paper tries to construct a systematic interpretation framework of the concept of poetic film from three aspects: the ontology of poetic film,the narrative view of poetic film and the linguistic view of poetic film.On this basis,three aspects of the theoretical issues are discussed.One is the ontology of poetic film,to express views on ontology of poetic film,to answer the fundamental problem of what and how poetic film is.First of all,the historical origin and the context of its occurrence are sorted out,including "poetic avant-garde" and "poetic montage" theory,"film art poetics" by Dobbin,"poetic film" by Pasolini to the appearance of view of poetic film in sculpting in time" by Tarkovsky and so on.Then,from the four dimensions of the reflected reality,the expressed emotion,the created meaning,and the poetic images,the essential characteristics of the poetic film are deeply discussed.The narrative view of poetic film and the language view of poetic film mainly expound the unique expressions of "poetic film as narrative art" and "poetic film as image ideographic system".It can be said that in the interrelation of these traits,characteristics and features that form the core of poetic films,the essence,integrity and rich diversity of them are condensed.The second is the view of poetic film narration,which,on the one hand,manifests itself as the narrative law of poetic film,including the author's consciousness of narrative subject,the space-time consciousness of poetic thinking and the construction of "poetic structure".On the other hand,it is reflected in the narrative strategy of poetic films,including the unique perspective,the polyphonic narrative,the allegorical narrative and so on.Third,the linguistic view of poetic film,it is embodied as psychological visual modeling,extreme long shot for beauty,metaphysics of color,the rhythm of life in music of linguistic features of poetic film and isomorphism effect of color and beauty,spectacular effect of magic and fantasy,value-added effect of symbol and metaphor,germinal effect of the image and artistic of poetic film linguistic effect t.The epilogue further discusses the poetic film and poetic technique,the direction and limit of poetic film,the meaning and inspiration of poetic film.Through the systematic construction of the interpretation framework of poetic film concept and the focused discussion of relevant theoretical issues,it is beneficial to show the overall picture of the characteristics of poetic film,so as to expand the innovative exploration space of poetic film concept and deepen the study of poetic film theory.