Study On The Calligraphy Aesthetics Of LangYa Wang Family In The Jin And The Southern And Northern Dynasties

Calligraphy is an unique art form in China.Its origin and creation come from social relations,among which region and family are the two most basic and important factors.Family is important pillars and carrier of Chinese culture.The Langya Wang Family,active in Jin and the northern and southern dynasties,is a typical representative of Chinese family culture and the largest calligraphy family in the history of Chinese calligraphy.It not only has a high status in politics,but also has made great achievements in the field of literature and art,among which the achievements in calligraphy are the most remarkable.Period from the Jin to the northern and southern dynasties was special in Chinese history.It's art,religion and cultural trends were closely related to families and regions.The development of a family could not be separated from the historical background at that time.In view of this,this paper analyzes and studies the calligraphy aesthetic style of the Langya Wang Family from the perspective of the family,combining the special historical background of the jin and the southern and northern dynasties,so as to reflect the characteristics and features of the development of calligraphy art in this period.The Jin and the northern and southern dynasties were a time of mixed thoughts.In the end of the han dynasty,the society was in turmoil,Confucianism was in decline,metaphysics and Taoism rose,Buddhism was introduced,and religious ideology changed from the internal self-renewal of the traditional social concept system to the "mixed type" from the external religious ideology.Under the mixed social ideology,a new natural aesthetic is formed.People discover nature externally and find themselves internally,pay attention to the integration of individuals and nature,love mountains and rivers,get close to nature,pursue individual freedom and spiritual liberation.Under the new concept of natural aesthetics,literature takes natural landscape aesthetics and comprehension as the theme,painting takes nature as the spirit,and calligraphy advocates the type of embracing all things in the universe.Langya Wang Family is justa big family living in such an era of ideological liberation and high spiritual freedom.In terms of family education,they pay special attention to the aesthetic education of the children of the family.By observing the natural landscape,they cultivate the children's aesthetic sense and interest,and express their experience and perception of nature through calligraphy and other art forms.Under the combined action of family aesthetic education,metaphysical thoughts,religious consciousness and regional environment,the calligraphy style of the Langya Wang Family keeps developing,innovating and changing,and finally establishes the calligraphy artistic style of "shangyun".Calligraphy achievements have become the object of people's practice,leading the trend of The Times and making important contributions to the development of Chinese calligraphy..