Research On Palace Fu Works In The Collections Of Fu Of Successive Dynasties And Artistic Expression

This topic mainly takes the Fu style on "architecture" in Chen Yuanlong's Collections of Fu of Successive Dynasties as the research object.The time is delimited from Han Dynasty to Ming Dynasty.Combining with the research materials on Palace Fu and the basic knowledge of architectural art,this paper systematically collates and studies Palace Fu from three aspects: its origin and development,its literary characteristics and its artistic expression.The thesis is divided into three parts: introduction,body and conclusion.Introduction,briefly introduces the origin of the topic and research status.Body is divided into four chapters:In Chapter One,according to the origin of "Palace" and the stylistic characteristics of Fu,the concept of "Palace Fu" is defined,Palace Fu is sorted out,and the existing Palace Fu is collected;"Since Collections of Fu Successive Dynasties as is a "grand view of Fu",the thesis adopts charts to divide the time distribution of the Palace Fu and the use of the palace in Fu,and chooses a part of it as the blueprint for the follow-up studies.Chapter Two,starts from Palace Fu works in Collections of Fu of Successive Dynasties,It mainly combines the background of each dynasty and explores the writing,characteristics of Palace Fu from writing motivation and perspectives of Palace Fu.Chapter Three introduces the artistic features of the palace paving in the Fu,mainly from the author's artistic attainments and the architectural art performance embodied in the shape,space,environment,details and colors of the objects(palace architecture).Chapter Four explores the similarity and isomorphism between Palace Fu and palace architecture,and discusses the mutual facilitation of Palace Fu and palace architecture.The conclusion summarizes the content of the thesis,and analyses the modern enlightenment significance of Palace Fu.