ChenQuan's Research On Anti-Japanese War Plays

Chen Quan is an important writer and drama critics in the history of modern Chinese literature in the 1940s.His theoretical contributions to the Warring States and the vigorous promotion of national literature in the 1940s,as well as the creation and criticism of dialogue dramas,are worthy.The literary phenomenon of concern.Chen Quan's dramatic creation is not only an important practice of political theory in the Warring States,but also an important style in which he practices literary criticism and philosophical claims.The article will focus on the literature of the "great future" in Chen Quan's view,drama,from three aspects.The first chapter analyzes the national consciousness of the country under the written "war and love" with the theme of Chen Quan's anti-war drama.Chen Quan's anti-war drama can be divided into two categories,one is a romantic tragedy intertwined with war and love,such as "Wild Rose","Golden Ring","Blue Butterfly","Relentless Woman",one is patriot The chapters of saving the country,such as "self-defense" and "Yellow Crane Tower";the second chapter analyzes the artistic characteristics of Chen Quan's anti-war dramas,from the three aspects of tragic,structure and language,and believes that the most prominent feature of Chen Quan's anti-war drama is Tragic;the third chapter is based on the previous two chapters,which is a reflection of Chen Gong's contribution to the national literary movement and new literary creation and its shortcomings.The article will combine Chen Quan's theory of drama creation,through the background of Chen Quan's relationship with the Warring States and national literature,and observe Chen Quan's anti-war drama creation in his literary activities and theoretical achievements,and re-explain the"Wild Rose" storm.The origin,facts and Chen Quan were marginalized in the history of literature in order to clarify the historical and contextual relationship between Chen Quan's literary thought and his drama creation.