Study On The Artistic Characteristics And Singing Methods Of Kangbao Errentai

In 2006,Kangbao Errentai was listed as the first batch of national intangible cultural heritage protection items.Because of its unique geographical location,the boundary between Mongolia and Han,it is the historical product of the fusion of Mongolian culture and Han culture of central plains area.It is also the emotional outlet of people's happiness,anger and sorrow.This paper mainly studies the artistic characteristics and singing methods of Kangbao Errentai.It is divided into four chapters.The first chapter summarizes the formation and development of Kangbao Errentai.The formation process is analyzed from the aspects of region,climate and culture,and the development is discussed from the evolution of the form of Errentai and the important carrier in the process of development: "repertoire".The second chapter analyzes the artistic characteristics of the singing style of Kangbao Errentai from the "speaking " and "rhyming ",the "Change of Plate" of the folk song form,and the "Combination of Musical Plates" of opera form,and the "Singing and Dancing" of the Singing and Dancing form.At the same time,if we want to embody the artistic characteristics of Errentai,we need to master the authentic singing methods.It is necessary to further analyze the singing methods of Kangbao Errentai to understand the characteristics of singing,how to better use and interpret it.The third chapter analyzes the specific singing methods of Kangbao Errantai through the artistic treatment of "full singing","back-to-back voice","concealment,cavity","lining and ornamentation" and the states of voice,breathing,cavity,resonance and so on.The fourth chapter examines the enlightenment of Kangbao Errentai's singing to vocal music learning from the perspective of performers.The enlightenment of Kangbao Errentai to singing technic is discussed from the aspects of breathing,resonance,embellishments and diction.And the enlightenment of Errentai to the thinking of vocal music subject is discussed.The author hopes to explore its theoretical significance in the inheritance and development of Kangbao Errentai by combing and studying its artistic characteristics and singing methods.