Study On The Narrative Strategy Of Chinese Micro-documentary Films Under The Vision Of Aesthetics

With the development of the network and the constant changes of the media,a large amount of information began to come to us in a "fragmented" way.We entered an era of continuous reception and output,so people began to treat various kinds of information at the same time.New cultural products produce expectations,such as tiny talks,micro-movies,micro-documentaries,and so on.As a result,the micro-documentary was born under the expectation of people.It not only inherits the advantages of traditional documentary,but also innovates under the needs and expectations of the audience.As the popularity of micro-documents continues to rise,many scholars have begun to have a strong interest in its production and development.However,according to the author's research on related literatures,people's research on micro-documentary only exists in the creative process and art at this stage.There are few aspects of rumors,media,market research,development status and future trends,and the acceptance of aesthetics.Therefore,this article takes the acceptance of aesthetics as the theoretical framework,through the examination of relevant academic literature,analysis of specific cases and investigation of the opinions of netizens,etc.,to analyze the text of the popular micro-documentary.Specifically,it is trying to clarify its narrative strategy from the perspective of audience acceptance,and strive to expand the research space of China's micro-documentary.Under the guidance of aesthetic theory,the paper discusses the current situation and future of China's micro-documentary.The cases in the thesis contain all kinds of micro-documentaries widely distributed in China at this stage.Therefore,through the specific analysis and summary of these films,the author hopes to sum up valuable suggestions to help the development and creation of micro-documentaries in China.