On The Interpretation Of Baroque's Music Works From The Perspective Of Authenticity

In Western music and philosophy academic circles,the term "authentic play" is even used as an academic term.With this as the basis,it raises and carries out a long and influential debate on academic thought and thought,and it is spread to the playing field,and guides the understanding and interpretation of works with historical and aesthetic dimensions.Bach BWV 1043 d Double Violin Concerto in minor is the most popular and most famous double violin piece in the world.It was written from 1717to1723.Peter Keevy is one of the core figures of contemporary Anglo-American musical analysis philosophy.Its theoretical research mainly focuses on the aspects of opera aesthetics and authentic performance.In this paper,the author intends to start from the basic general and normal " authentic "understanding,and then transition to the academic understanding of " authentic ",and then comb out the term " authentic " in the historical background and later in the academic development of the representative of Peter Kewei's understanding of " authentic ",finally based on this understanding.In the context of history,Bach's violin concerto BWV 1043 in D minor was put in a close reading tothe"authentic.