The Study Of The Images Of The Seven Stages In The Bamboo Grove In The Intertextuality Of Word And Image

The Seven Sages in the Bamboo Grove is very important in Chinese culture,their manners are intellectual people's model of imitation,to some extent,The Seven Sages in the Bamboo Grove represent the WeiJin demeanor.Recording related to them are numerous,except recording with words,numerous pictures about t he Seven Sages in the Bamboo Grove retained in the world.From the various pictures about the Seven Sages in the Bamboo Grove,we can find people love to the seven sages.They have self shaping image and the image evolves along with different times and culture changing.The evolving reflected in the pictures make a diversity,forming the images of tending to the gods,hermit and the image of intellectual people.Language arts are temporal art,paintings are space arts,pictures about the Seven Sages in the Bamboo Grove appear the unique law between word and image in the conversion between the two arts.Because there are no detail records of the travel in the bamboo forest,to depict the scene,from the composition of a picture,The Seven Sages in the Bamboo Grove are painted with a categories,some other artists creat them with a close shot or in distant scenery;from the correspondence of words and images,words and images are one-one match,images break the words and the centrifugal force of the pictures;from the icon narrative,situational narrative and including narrative attach enough gut in the brief text about the travel in the bamboo forest;from the image criticism,pictures of the Seven Sages in the Bamboo Grove appears tridimensional model: criticism of images,criticism of The Seven Sages in the Bamboo Grove and criticism of the artists themselves.The revolt and arrogation,artists' care of the self,reassumption of the WeiJin demeanor in addition to literati and secular express the aesthetic implication and representation of the pictures of the Seven Sages.Details hint the transcendence,artists' self-gaze can be found in the pictures,there is unique aesthetic reception of WeiJin demeanor,in the end,historical process of the pictures' literati and secular comes true.