Research On A Analysis Of The Mysterious Experience Of Peter Doig's

The materials of Peter Doig's paintings are based on reality,but show the mysterious features of reality and illusion.In recent years,more and more researchers hope to find out the answer through the clues in his works.According to data,memory and experience play an important role in the process of using image materials.Doig's works are full of uncertainties caused by the passing of time in memory and the gradual blurring of experience,thus Doig's paintings are like the memory between the real and the virtual.But the author wants to find some clues from Doig's personal identity,theme development and the process of painting language modification,so as to explore the experience of Doig's panting creation.The paper reflects on the relationship between creation and the use of material,though some specific questions in Doig's painting process,.This paper focuses on four specific aspects of the mysterious experience of Doig's paintings.The first is the particularity of Doig's landscape painting.This paper will start with the subject of Doig's paintings and discuss the innovation of Doig's paintings that are different from traditional landscape paintings through the reform and development of western landscape paintings.The second is the specific differences in the mystical perspective of Doig's paintings at different stages and the specific reasons for these differences.The third is the analysis of Doig's unique painting techniques of the theme and the content of the image in his painting creation,and finds out the specific origin of the mystery of Doig's paintings.Fourth,the author uses the inspiration of Doig's creative experience to create and practice and analyzes the disadvantages in the early creation and provides some ideas for the recent creation.At the same time,it also raises some questions about the phenomenon of experience assimilation caused by the current image flooding.According to the research,one of the effective ways to avoid the similar experiencein painting creation process is to experience activities in real life and the inner world.Doig not only went out to capture materials with the camera,but also involved in the observation of the landscape,which deepened the depth of feeling and provided more inspiration for artistic creation.It is no doubt that is a solution to many art creators who take materials blindly out of their own mind.The paper focuses on exploring the specific origin of the mystery of Doig's painting and how to realize the unique value of his own art at that time.While observing Doig,he put himself in the background of his time early.He continued to create with the convenience of collecting images,and paid more attention to the personal experience of reality.He realized the pursuit of "open answers" in the process of painting as a protagonist and an onlooker by measuring the spiritual relationship between himself and the realistic landscape that made his work more appealing.