Research On The Reconstruction Of Contemporary Representational Painting

At the end of the 19 th century and the beginning of the 20 th century,Post-impressionism began to deviate from the objective and reproduction of the western art tradition,broke the traditional concept of inherent color and brown tone,and stimulated the trend of modernist art.They used their own artistic ideas to demonstrate that art should have its own structure,rules and order,and that painting should not copy nature but work in parallel with nature.The pursuit of realistic artistic effects in the western classical paintings before Impressionism has both advantages and disadvantages for the development of art.Western classical painting is imitative painting.The way of viewing and painting of the painter tends to depict the natural image and achieve unity with the natural image.This paper explores the way of concrete reconstruction of painting,breaking the previous way of view of the painter,through the artist himself to dismantle,overlap,graft,dislocation,dislocation and other reconstruction techniques to form a new painting style different from the past,improve the means and methods used by artists in expressing different artistic concepts.This paper makes a detailed comparison and analysis of the works of western traditional classics and contemporary figurative artists,to understand several methods of using "reconstruction" in contemporary figurative painting,and to explore the concept and expression of the formal language of "reconstruction" painting in creative practice.By destroying and dealing with the subversive and illogical nature of the original image and form,the artist removes the original image and at the same time reconstructs a new individualized and conceptual schema so as to make the creation closer to the artist's own creative intention.By interlacing the cultural forms of different regions and time and space,artists form a new structure and world order that they understand and recognize,and explore a certain fit between artistic creation and the spirit of life,which is also a way to seek a new discourse and outlet.The application of representational painting to multiple reconstruction methods also provides a more divergent and multi-dimensional space for contemporary creators.With the enrichment of contemporary artistic expression media and the continuous renewal of new media technologies,contemporary figurative painting adopts all linguistic forms of past and present graphical texts in a cross-border and cross-border strategy.By crossing the boundaries with traditional classics,photography,image and network media,and by means of misappropriation,deconstruction,reset,stitching and synthesis of materials,new language styles are created and derived,and the extension of their own language forms is enriched and expanded as far as possible.The emergence of reconstruction techniques provides an effective way for the personalized viewing and expression advocated by contemporary easel painting.In the context of globalization,it is the product of the times to show the artist's artistic identity and independent value.It is also the artist's respect for traditional painting forms and the challenge to traditional painting viewing methods.In the current art torrent,the "reconstruction" technique,like a shining star,enriches the extension of contemporary figurative painting,so that contemporary figurative painting can still produce its own brilliant light in the new media,new science and technology,and multi-artistic context.