The Study Of Guo Moruo's Historical Drama Under The Perspective Of The Literature Of The Republic Of China

Guo Moruo is a writer who has made outstanding contributions in the history of modern literature and can represent the direction of development.He formed the literary tendency and school of romanticism in modern China by the Goddess and the creative society represented by him.His historical drama is the crystallization of the theory and practice of excellent drama art at home and abroad.It has played a pioneering role in the development of new historical dramas in China.Scholars have made a near "panoramic" research and analysis of Guo Moruo's historical drama.But more attention is focused on the writer and the work itself.The ecological environment of literature is not paid enough attention to.This article strives to trace back to the source and seek truth,and to remove the fog of history.To explore the meaning of Guo Moruo's historical drama.Guo Moruo's historical drama research has a history of 100 years.There have been many studies and comments since the publication and performance.During the period of the Republic of China,there were more than one hundred newspapers and periodicals published in Guo Moruo's historical dramas,including the Xinhua Daily,the Central Daily News,Wenhui Daily,and the Xinshu Daily.The study of Guo Moruo's historical dramas showed a craze during the Republic of China,and there are many historical materials available for research.After the founding of the People's Republic of China,Guo Moruo's historical drama research focused on the analysis of the characters,the aesthetics of tragedy,the ideological basis of creation,the relationship between the reality of historical drama and the fiction of art.This article strives to open up the historical clouds and trace the source to explore the true meaning of historical drama.Based on the compilation and analysis of historical materials,the study of Guo Moruo's historical drama in the Republic of China was studied.The topic itself is pioneering and innovative.By returning to the ecological environment of literary creation,we should restore the development track of Guo Moruo's self-construction as much as possible,and then explore the real environment and deep connotation of historical drama creation.After the publication of the historical drama,the collection of historical materials on the dissemination and acceptance of dramas restores the ecological environment of historical drama creation.Such as the frequency of the performance of the drama,the audience acceptance,the influence of the actors,the sales volume of the drama,the publication and circulation of the newspapers,and the collection and collation of relevanthistorical materials such as the historical enthusiasm of the historical figures involved in the drama.What influence did Guo Moruo's historical drama have in the historical context of the time? Studying Guo Moruo's interpretation of his works,including historical materials such as letters,prefaces,self-reports,and postscripts,and then confusing the clouds and traces the source,and exploring the creative reasons of Guo Moruo's historical drama concealment during the Republic of China.During the May Fourth period,the author emphasized the liberation of thoughts and "people",resisted feudalism,pursued democracy,science and freedom,and used the mouth of the ancients to convey the profound analysis of the times by the May Fourth literati.During the Anti-Japanese War,due to the complexity of the national situation,Guo Moruo's six anti-war dramas contained multiple extra-sounding voices,including hatred and hostility towards the Japanese aggressors;and profoundly exposed the shameless actions of the Kuomintang's passive war of resistance,the destruction of the united front,and the surrender of the country;Guo Moruo The critical brushwork has carried out a deep hatred of the traitors and traitors in the special period of confrontation.At the same time,he confronted history,took the historical drama creation into the land,cut the needs of the people,created a unity of the people,and actively resisted the atmosphere.At the same time,the series of people liked to see the characters,but also reached a further integration of the artistic and educational functions of the drama.