On The Writing Of The City's "Home Feeling" In Chi Zijian's Novels

In the 1980 s,Chi Zijian entered the literary world by writing "Arctic Village".The native hometown has always been the protagonist in her literary works.After the 1990 s,the situation changed.With Chi Zijian living and working in Harbin,the city becomes more and more conspicuous in her literary creation,and gradually becomes a very important literary aesthetic object.Based on this,the thesis is divided into four chapters.The paper is divided into four chapters.The first chapter mainly discusses the realistic background put forward by "home feeling",and discusses the various problems presented by the city under the sub-study of nature,society and people.The second chapter discusses the spiritual implication given by the writer on the basis of reality.It mainly starts from the emotional projection of city space,the spiritual return of city culture,and the soul search of city subjects.It explores the unique location and the aesthetic connotation of Chi Zijian's city writing.The third chapter discusses the narrative strategy of city writing in Chi Zijian's novels.It discusses the way and meaning of Chi Zijian's "home feeling" from two aspects: the narrative image and the narrative mode.The fourth chapter is intended to explore the value of Chi Zijian city writing.In the face of all kinds of difficulties in the city,Chi Zijian always adheres to the treatment and guidance of the soft strip.In addition,Chi Zijian is also committed to thinking and exploring the natural and spiritual ecological beauty of the city,and looking for a "poetic dwelling" in the city.This thesis takes the city writing of Chi Zijian as the research object.On the basis of studying the novel,the "home feeling" casts a deep understanding of Chi Zijian on the city,and it contains Chi Zijian's thinking about the calm and rationality of the city and the country.