An Analysis Of The Female Chinese Writing Of Tibetan Writers Since The New Period

In Tibetan literature,there are a large number of literary creations carried out by female writers,but they are often regarded as "embellishment",with their unique anti-interpretation functions,special writing features,and tortuous thinking and practice processes.they are hidden in Under the shadow of "elite" and "classic" in Tibetan literature.Over time,Tibetan women's writing has become an embarrassing existence that must be said but has nothing to say.The thesis takes the Chinese novels created by Tibetan female writers after the 1980 s as an example to explore the contribution,role and value of Tibetan women's writing in Tibetan literature and how to achieve better development and progress in the era of globalization.The thesis consists of three parts: introduction,body and conclusion.The introduction part first clarifies the definition and research value of the concept of "female writing",and then carefully reviews the relevant research status at home and abroad,and shows the innovation of this research.It also shows the innovation and key points of this research,and finally explains the purpose and method of this research.The body part is divided into four chapters: The first chapter summarizes and analyzes the position and definition of Tibetan female writers as a women,and shows the existence and value content which before Tibetan women learn(or can)self-recognize,only defined by society?men and the general acceptance,pointing out the innate shortcomings of Tibetan women in writing.The second chapter mainly discusses the three major symbols in the writing process of Tibetan women's writing process:tribe,JiangCheng and Ao Village,to reflects the deepening female self-consciousness and increasingly contradictory mental state of Tibetan female writers in different times,societies and living conditions.The third chapter starts from the contradictions and difficulties of Tibetan women's writing,and explores the creative difficulties and cultural aphasia faced by Tibetan women who are part of Tibetan literature in China under the continuous advancement of globalization.The fourth chapter puts forward the two way that actively seek and cultural aphasiafor the Tibetan women's writing on the contradictions and predicaments mentioned in the previous article,to withstand the dual pressures from the Han culture and the Western culture.The conclusion summarizes the full text and proposes that Tibetan women's writing should recognize the reality of writing as a minority.And in this reality,achieve reconciliation with men,foreign cultures,and themselves.Focus on thinking about the universal problem of human beings,obtaining the indispensable literary vitality of its continuation and development.