The Influence Of The Blending Of Chinese And Western Fine Arts On The Development Of Calligraphy In Modern Times

The article discusses the evolution of the modernity of Chinese calligraphy after 1980 s under the background of the blending of Chinese and Western fine arts.Since the 20 th century,due to the fierce collision of eastern and western cultures,in the field of art,western contempora ry art creative ideas gradually permeated in the field of calligraphy,this influence first occurre d in japan,gradually have a relatively far-reaching impact in China,Chinese calligraphers in rec ent decades,made a series of calligraphy modernity evolution exploration.This paper is divid ed into four chapters,the first chapter discusses the background of the evolution of the mode rnity of Chinese calligraphy,which is divided into three subsections: the combination of chines e and western aesthetics in modern times,the efforts of modern aesthetic educators for the f ormation of modern Chinese aesthetics,the introduction of western art education system,an d the enlightenment of western modernism and postmodernism aesthetic thought to the ne w development of japanese calligraphy,Introduction and Definition of Modern Chinese Calligr aphy.The second chapter mainly discusses several dimensions of the evolution of the modern ity of Chinese calligraphy in the 1980 s.After the 1980 s,the evolution of the modernity of chin ese calligraphy mainly follows the continuation of the style of books in the ming and ming dyn asties,the deconstruction of Chinese characters and the "artistic behavior" of calligraphy crea tion.The third chapter mainly explores and thinks deeply about "modernist calligraphy ",incl uding four chapters,the deep reasons of " modernist calligraphy ",the creative idea of "expres sionism" in "modernist calligraphy ",the core gene of Chinese classical philosophy and the ba sic requirement of calligraphy creation I hope that through this article,the nutrition of traditional Chinese calligraphy is Chinese classical philosophy,not the western aesthetic proposition or aesthetic concept.The new develop ment of Chinese calligraphy should be guided by Chinese traditional culture and change this,j ust like changing the gene of Chinese calligraphy.