Research On The Decoration Of Ceramic Auspicious Patterns From The Perspective Of Modern Aesthetics

Traditional auspicious patterns are not only decorative patterns,but also materialized forms of traditional beliefs.With the development of history,auspicious patterns have been continuously inherited and developed,incorporating cultural characteristics and folk customs of various times into them and branding them on ceramics.Traditional auspicious patterns represent a spiritual need of human beings.People's pursuit of a happy life has not changed since ancient times,but modern people's aesthetic concepts,living habits and cognition of science and culture are different from the past.Some traditional auspicious cultures have not been accepted by modern people.The ancients expected to use auspicious patterns to benefit and avoid harm.The development of modern science has made us interested in the beauty and story of auspicious patterns.Therefore,on the basis of fully understanding the traditional auspicious culture in ancient China,it is necessary to inherit and innovate the auspicious pattern decoration according to various aesthetic needs of modern people.With the multi-faceted improvement of ceramic industry's technology,production efficiency,materials and equipment,ceramic decoration topics such as sky full of stars are numerous,which not only inherit the essence of traditional Chinese culture,but also incorporate the style and characteristics of foreign art,and can be described as multifarious and varied.However,there are few world-class ceramic brands in China.In order to make the ceramic brands created by China famous in the world and make the extensive and exquisite Chinese culture more popular,we need to constantly learn and innovate and integrate excellent national culture into modern ceramic decoration design.