The crown of flower and bird painter Zhou in the Ming Dynasty is a representative figure and master of the Houhua Dianye School.Based on the trace of the development of flower and bird paintings after Song and Yuan dynasties,this article systematically researched the hook and flower leaf method with Zhou Zhimian's representative works.In Zhou's representative works,the typical aesthetic characteristics and technical characteristics of the hook flower and leaf method are reflected.Among them,the concepts and techniques of double hook,dot stacking,color and ink combination represent the most important connotation of Chinese painting.While repeatedly studying the works of Lin Zhou Zhou,I also determined the idea of completing the graduation creation based on the basic techniques of linking flowers and leaves and integrating modern aesthetic concepts.In my creations of "Free Countryside","Huaihua · Jingyu I",and "Huaihua · Jingyu II",I used the locust flowers that were rarely involved by ancient people as the material,and used my interpretation and practical application of the hook flower point and leaf method Among them,the final integration and presentation of traditional techniques and contemporary situations is a process of inheritance and innovation,and it is also a process of perception.Through this process,I not only improved the theoretical reserve and painting skills,but also further clarified the direction,which laid a solid foundation for future research and creation. |