A Study Of The "Female Orientation" Writing Of Internet Novels

In the post-modern context,a new cultural consumption model is coming.With the unique narrative stand and aesthetic form,Aesthetic form has redefined the "daily narrative" and "traversal space narrative",constantly exploring new ways of self-expression,and opening up new paths to display the characteristics of online novels,which has become a strong stroke in the online literature.This thesis will focus on several important genres of "women-oriented" online novels,as well as some widely-influenced works of writers.I will try to penetrate the interior of the "female-oriented" online novels by reading the text carefully and following up the writers' creation in time.In-depth discussion of writers' retrospection,caring about reality,examining self,and paying attention to women 's survival mirroring,the paper tries to show the true inner state of contemporary women,exposing a feminism embedded in the evolution of “feminine” network novels.The pursuit and trend of the gender revolution can,to a certain extent,improve the construction of the history of online literature in the development of contemporary literature.The paper is divided into three chapters.The first chapter mainly gives a general overview of the writing of "feminine orientation",focuses on explaining the process of the generation and development of the word "female orientation" in network literature,and defines a clearer definition of "female orientation".The dissertation further discusses the different aspects of "feminine orientation" in and out of the text.In the parallel comparison between the "feminine orientation" text and traditional feminine literature,it divides three confusing concepts of the "feminine orientation" "network feminism" and "female frequency".The second chapter analyzes the emotions in different genres of online novels from Qiongyao to "Sweet Pet","Palace Fighting","House Fight","Female Honor",and "Homoerotism" based on the reading preferences of readers in consumer culture theory.The evolution of the taboo model shows women's alternative survival mirroring,and exposes women's rebellion against traditional emotions in the imaginary world,and subversive revenge and playfulness to the gender paradigm,so as to peek into the paradox of "female orientation" between writers and readers.The third chapter discusses from the narrative point of view the "fading" of "big narrative" in the postmodern context,how the "female-oriented" network novel reconstructs female online literature in the form of "farming","traversing" andfeminizing narrative.The third chapter discusses how the "female-oriented" network novel reconstructs female online literature in the form of "farming","traversing" and feminizing narrative,from the narrative point of view the "fading" of "big narrative" in the postmodern context.This kind of reconstruction is the practice of women to construct a unique narrative paradigm with unique emotional needs.Finally,this article argues that the "female-oriented" online novel expresses the subversion and deconstruction of traditional male-centrism by women in the social youth subculture in a unique narrative way.They construct a new type of female self through the "female-oriented" online novel.The fictional space in which the subject has risen unprecedentedly has carried out a gender revolution in the spiritual world.