| In recent years,youth films such as "so young","once upon a time","my deskmate" and "the best of us" have been released,setting off a wave of youth nostalgia in the film market.Youth nostalgia films have entered a new stage of explosive creation and rapid development.For a time,youth film as a theme to highlight the nostalgic characteristics of the film has become the focus of film and television attention and research.This article mainly teenpic since 2010 as the research object,through the study compared with the teenpic before 2010,found that it is different from the last century to the beginning of the 20 th century since the reform and opening up the "political" youth "cruel" youth "teenpic",since 2010 the teenpic mainly youth "nostalgia" as the theme,and in recent years has quickly become the important type of film market,became the "phenomenon" film.Then through the narrative analysis of the selected ten youth film texts,from the perspective of narrative preference,narrative time construction,narrative space selection,explore the specific representation of nostalgia narrative in youth film,so as to further explore their universal rules in narrative.This paper argues that,under the promotion of the Internet and consumer market,youth films have typified narrative characteristics,with obvious commercial flavor,and then form a relatively unique narrativestrategy and way.The reason why youth films can flourish in recent years is closely related to the popular nostalgia psychology under the background of social transformation.It carries the cultural connotation of the contemporary young people's self-resistance and the reconstruction of the subject spirit in the process of reviewing and reviewing.But at the same time,it should be clearly seen that there are still some problems in the creation process of youth films with the theme of "nostalgic youth",such as single narrative mode,nostalgic elements regarded as consumption symbols,and lack of deep thinking on youth. |
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