The Study Of Hopper's "Presence" In Decorative Painting

Edward Hopper,as an artist who can't be ignored in the trend of American realistic art in the 20 th century,has been praised for his simple and profound picture form.Through his unique perspective,peaceful and deep colors and dramatic lighting effects,he depicts the United States in the context of the great depression in his eyes.This paper starts with the living environment and artistic career of Hopper,and makes a deep analysis and research summary on the causes and evolution of his painting style.Based on the existentialism theory of "presence",this paper explains the presence of the artist himself in the social environment,the presence of the artist in the face of the picture,and the presence of the viewer in the face of the picture in Hopper's paintings,and analyzes the tearing and reconstruction of the rules and the things expressed in his works,so as to present the real "presence" of the object.In order to understand the formation of Hopper's painting,creation and different times of resonance and interpretation.Apparently,combined with the characteristics of this professional decorative painting and the development status of the new era,this paper analyzes the important realistic enlightenment of Hopper's painting "presence" for decorative painting,and provides more possibilities for the creation and development innovation of decorative painting.