A Comparative Analysis Of The Artistic Treatment Of Schubert And Cournot’s "ave Maria" In The Singing Process

"Ave Maria" is an art song with religious themes.As a product of the combination of music and religion,it almost runs through all periods of western music history,and plays an extremely important role in the development of western music history."Ave Maria" originally refers to the Catholic hymn to the Virgin Mary,but since the 19 th century Notre Dame,in addition to must contain the praise to the Virgin Mary,the lyrics have become very free compared with before the 19 th century,with more or less secular elements,so it is more accepted by the public.Under the influence of the romantic music style in the 19 th century,composers combined the sanctity of religion with the romance of art songs to create a unique religious theme art song,the Ave Maria.Among them,Schubert’s and Cournot’s Ave Maria are favored by many singers in the future because of their exquisite and elegant style.The singers also have many classical interpretations of these two editions of Ave Maria.Therefore,this is one of the important reasons why this paper chooses Schubert’s and Cournot’s two editions of Ave Maria to study the artistic treatment in the performance and singing process.Schubert and Cournot both have outstanding talents in the field of religious music.The Ave Maria created by both of them has beautiful melody and delicate emotion.This paper mainly focuses on two Ave Maria created by Schubert and Cournot.The purpose of this study is to compare and analyze the artistic treatment of the two Ave Maria in the singing process,and the singing skills of the two works at the same time And emotional processing research,and the two editions of " Ave Maria " are summarized,and through their own vocal learning experience and the literature and video materials that have been mastered for judgment and analysis,and ultimately achieve the purpose of improving their professional ability.