From Pen And Ink To Comprehensive Materials

This paper mainly focuses on my own creative works,takes the development of Chinese painting as the premise,and in-depth analysis of the spirit of traditional Chinese painting,in order to conduct a research on the integration and development of traditional Chinese painting in the impact of today’s multi-culture and aesthetic,and integration and development of comprehensive materials in traditional Chinese painting.Certain traditional expressions and gradually evolving public aesthetic needs are the basic characteristics of Chinese painting.From the early expression focused on the interest of pen and ink to now,people are constantly looking for new materials and new forms of expression to create pictures.Along with the development of the times,people are no longer satisfied with the changes of ink and the expression of ink interest in the creation of traditional Chinese painting.More and more people begin to carry out new material experiments,adding the formal sense and aesthetic feeling endowed with modern aesthetics.Chinese painting is constantly looking for new expressions from traditional patterns.This paper,according to the thinking process of my own creation,combines the ink of traditional Chinese painting to the development of comprehensive materials to elaborate and analyze.In this paper,the following methods are used: 1.Comparative analysis of works:the materials of traditional Chinese painting works are compared with the works of modern new painting materials,and the most basic painting language and painting development trend of traditional Chinese painting are found from the comparison,so as to achieve intuitive understanding and display.2.Practical experiment method:combining with the progress and thinking of my own creation,I have collected paintings of relevant comprehensive materials,and conducted corresponding researches on different materials,from which obtained relevant theoretical basis and provided corresponding theoretical support for the paper.3.Literature analysis: look for relevantmaterials and books,look for multiple perspectives for all-round exposition and analysis,and constantly find new theoretical basis,so that my creations and papers complement each other and mutually complement.4.Author Analysis: Through the analysis of the author and related works,the various uses of comprehensive materials and the expression of painting methods could be deeply understood.Thus,providing a real and reliable case analysis for the writing of the thesis.5.Summing up experience methods:Through the creative experiment stage,constantly looking for and using the changes of different materials,paper and brushwork to find out the painting language suitable for myself,so as to provide rich practical basis for my own paper.This paper is elaborated through six chapters.The first chapter is an introduction.The second chapter focuses on the thinking and application of ink in traditional Chinese painting.The third chapter mainly discusses the characters of Chinese painting that I understand around my creation content.The fourth chapter is mainly to explore and analyze the language and material changes of contemporary Chinese painting.In the fifth chapter,combined with my own creative process to reflect and summarize,providing certain theoretical and practical basis for my later development.The sixth chapter is summary and thinking.The selection of painting materials is not only the carrier of the artist’s picture expression,but also the painting language.More and more artists have a deeper understanding of painting materials,which has also revealed the inherent charm of the materials themselves.Based on the changes of traditional pen and ink,this graduation creation explores comprehensive materials to find the intrinsic emotions given by different materials,thereby highlighting the interestingness of the image and the expression of my own painting language.