Study On The Singing Art Of Chinese Classical Songs In The New Era

Every era has its literary and artistic characteristics.At the great juncture when socialism with Chinese characteristics entering the new era,the singing art of Chinese classical songs also needs to sing with the new era.Firstly,this paper briefly describes the meaning of the new era and Chinese classical songs,and then takes the integration of the new era and Chinese classical songs as an entry point,combined with the Great Wall ballad sung by Gong Shuang in the Ear-side Chinese column as an example.On the basis of introducing the first edition of the Great Wall Ballad songwriters by Pan Jienong,Liu Xuean and Zhou Xiaoyan,from the aspects of "singing style","singing skills","stage performance","song composition","scent of the times" and the lack of transmission in the new version of "Great Wall Ballad",analyze the evolution of the singing art of Chinese classic songs in the new era,analyzes and studies the singing art of Chinese classic songs in the new era,so as to show that this kind of performance mode,which integrates a variety of singing methods and creation elements,is exactly a new singing "new voice of literature and art in the new era" in the vigorous development of Chinese classic songs in the new era;This way of singing and performing is not only the integration of classic songs and the times,but also a kind of forward development of singing art.Finally,the author puts forward some views on the significance of mass education of vocal music art and cultural spirit in the singing art of Chinese classical songs in the new era.