Singing Study Of The Treble Version "Yang Bailao"

The vocal work "Yang Bailao" itself is a bass aria,but when the tenor sings,there are different ways to deal with it.The article first briefly introduces the creation of "Yang Bailao" and then proposes the idea of singing "Yang Bailao" with treble.After that,it makes a comparison and extracts the essence by combining the singing versions of Ma Jinquan and Fan Jingma.Combined with the author's stage practice,it analyzes the singing skills and performances of "Yang Bailao" after the upwelling treatment,from the vocal cavity and articulation,timbre and singing cavity,treble and opening,breath and strength,as well as stage performance and characterization,to carry out a full range of works.Although a classic aria "Yang Bailao" was selected,it used new materials,new techniques and went out of its traditional research direction.Standing on the tenor's different perspective,it observed its changes and conducted research to reach a new perspective conclusion,to realize the charm of the classic work "Yang Bailao" in the treble interpretation,and to conduct a new exploration for the tenor's singing practice.